A robot named Nia from Beijing Qingfei Technologies Co. Ltd greets visitors to the Zhongguancun Forum at the Zhongguancun International Innovation Center in Beijing, China, Friday, March 28, 2025. (Photo by Ng Han Guan/AP Photo)

Participants react as they try to reach the top of a greased pole to collect the prizes, during a “Panjat Pinang” competition, that is held to celebrate Indonesia's 79th Independence Day at Ancol in Jakarta, Indonesia, on August 17, 2024. (Photo by Ajeng Dinar Ulfiana/Reuters)

A wheelbarrow loaded with two butchered pigs is seen at La Saline slaughterhouse in Port-au-Prince, Haiti, March 19, 2015. Reuters photographer Andres Martinez Casares: “The grunts of a pig or the bleating of a goat are one thing. Then there's the sound of animals about to be killed. That's something else. If you haven't heard that before, it's quite something... (Photo by Andres Martinez Casares/Reuters)

People in costume as a Minecraft bee (left) and Crying Child from Fright Night at Freddy's 4 (right) at the Sheffield Anime & Gaming Con at the Mercure Sheffield in London on Sunday, September 17, 2023. (Photo by Danny Lawson/PA Images via Getty Images)

Pakistani Rangers take part in the beating retreat ceremony at the India-Pakistan Wagah border post, about 35 km from Amritsar on March 9, 2022. (Photo by Narinder Nanu/AFP Photo)

Competitors line up their boats for some formalities during the Aberdeen Dragon Boat Races. (Photo by Jessica Hromas)

Ravi Nath poses for a photograph with a cobra snake in Jogi Dera (Snake charmers settlement), in the village of Baghpur, in the central state of Uttar Pradesh, India November 10, 2016. An ancient tribe of snake charmers, known as Saperas, have thrived over the generations by catching venomous snakes and making them dance to their music. Snakes are revered by Hindus in India and snake charmers are considered the followers of Lord Shiva, the blue-skinned Hindu god who is usually portrayed wearing a king cobra around his neck. (Photo by Adnan Abidi/Reuters)

Photographer Joana Choumali’s latest project explores body image and beauty by documenting the men building Abidjan’s clothing models. The “Awoulaba” mannequin is a customised model designed with the African ideal of beauty in mind, curvier than the stick-thin examples usually seen in the west. They first appeared in 2011, and have since become a familiar sight outside the numerous clothing shops dotted throughout Ivory Coast’s capital, Abidjan. Here: An apprentice lines up his work on a roadside. (Photo by Joana Choumali)