On the July 10, 2025, an elderly couple in Eonam-dong, Jung-gu, Daejeon, who finished their field work, cooled off by sitting on a bench in the yard near the water tap. (Photo by Shin Hyeon-jong)
Wearing hats and dancing to Sodapop. As the popularity of “K-Pop Demon Hunters (K-Pop Demon Hunters)” spreads around the world, foreign tourists wearing hats and dancing to the K-Pop Demon Hunters song “Sodapop” are seen in Gwanghwamun, Seoul on the afternoon of the August 29, 2025. (Photo by Park Seong-won)
On the November 24, 2025, children are making human faces by collecting fallen leaves in the forest in front of the Yuseong-gu Office in Daejeon. (Photo by Shin Hyeon-jong)
In this photo taken Tuesday, April 14, 2015, immigrant men armed with machetes make their way onto a Durban, South Africa, street during clashes with police and in search of locals that attacked foreign shop owners in the city center. (Photo by Tebogo Letsie/AP Photo)
A biplane taking part in the Vintage Air Rally lands, in Stellenbosch, near Cape Town, South Africa December 16, 2016. (Photo by Mike Hutchings/Reuters)
A woman in traditional clothes wears a pin showing North Korea's founder Kim Il-sung (L) and former leader Kim Jong-il, on her dress as she welcomes foreign reporters to a temple during a government organised tour just outside Pyongyang October 8, 2015. North Korea is getting ready to celebrate the 70th anniversary of the founding of its ruling Workers' Party of Korea on October 10. (Photo by Damir Sagolj/Reuters)
At this year’s Venice Bienniale in Italy, the Korean pavilion has a curious exhibit called “Commissions for Utopia”. It includes renderings from North Korea’s top architects and artists (all anonymous), many of whom studied at the Paekho Institute of Architecture, North Korea’s state-run architectural college, and none of whom have ever left the country. They were asked to create a vision of North Korea’s future sustainable architecture for its expanding tourism industry. Their final products are a glimpse into what it would be like to envision the future after being entirely cut off from the present for almost 70 years. (Photo by Nick Bonner/Kyle Vanhemert/Venice Architecture Biennale)