(fos) is the name of the first ephemeral installation by the multidisciplinary team (fos). It means light in Greek and melted in Catalan. In this project has been represented by a skin that covers both vertical and horizontal surfaces. The protected façade of the vegan restaurant Rayen at Lope de Vega street in Madrid has been illuminated for 4 days and nights by more than 250lm of yellow duct tape, painted décor items, pineapples and... a lamp. A visual game between perspective and colored volumes that gained the looks.

Traditional miners carry sulphur on the Ijen volcano complex on May 25, 2009 outside Banyuwangi, East Java, Indonesia. Miners carry the solidified yellow sulphur blocks from the crater floor to the rim for as many hours a day as they can tolerate, paid by the kilogram of sulphur they extract. The average wage is USD $.05 per kilogram of sulphur and a worker, depending on his strength and stamina, carry on average 3 baskets of 70-80kg per day, earning him around USD $11. (Photo by Ulet Ifansasti/Getty Images)

A man driving a vintage car reacts as he passes by crabs crossing a highway on their way to spawn in the sea in Playa Giron, Cuba on April 25, 2017. Each year, after the first spring rains, millions of red, yellow and black landcrabs march for days from the surrounding forests to the bay on Cuba's southern coast to spawn in the sea. (Photo by Alexandre Meneghini/Reuters)

Dongchuan is a rural place located in the area of Wumeng Mountains. This place became one of the most favored destination spots for Chinese photographers all because of its red soil. The Wumeng’s scenery was first discovered in mid-90s. The first photographers who came here shot some award-winning photos, which made them keep the location of this place a secret. With time, however, more people found out about this place, making them want to visit these arid mountains. The contrasting red soil, yellow buckwheat, and brilliant blue skies make this place a paradise for photographers.

Suso33 spent the last few days perched on a yellow crane to work on this impressive new piece on the streets of Madrid, Spain. Using a rather simple technique, the Spanish artist painted a brilliant piece which enters directly amongst our favourite artworks this year. This mural is a concentration of slightly outlined figures which are persecuted by their shadows, but if the viewer, instead of focusing on details, looks at the entire picture, what he sees is another figure. Take a look at more images after the jump and if you are in the area, you'll be able to find the piece at plaza del Poeta Leopoldo de Luis.

“The western or lowland bongo is a herbivorous, mostly nocturnal forest ungulate and among the largest of the African forest antelope species. Bongos are characterised by a striking reddish-brown coat, black and white markings, white-yellow stripes and long slightly spiralled horns”. – Wikipedia

Photo: The one month old newborn Bongo Antelope Calf ventures out in the cold with his mother in their enclosure at London Zoo on December 9, 2005 in London, England. (Photo by Christopher Lee/Getty Images)

Have you ever heard of a psychological phenomenon which lets us easily understand words, even if the order of letters is mixed up, as long as the first and last letters remain in their rightful place? Similarly, the art works of Michael Turner use only two colors to highlight the main futures of well-recognized superheroes, allowing our imagination to create the rest of the picture. The colors used in the pictures weren’t chosen at random. They perfectly reflect the key characteristics of the superheroes that they depict. For example, the picture of Flash uses red and yellow colors, which are exactly the colors of his costume. While the picture of Green Lantern is, you’ve guessed it, green and black. (Photo by Michael Turner)

In Dougie Wallace’s photos of Mumbai taxis, the chatter, yelling, and constant horns of the city are almost audible. A selection of his images is on show at Gayfield Creative Spaces, Edinburgh, as part of the Retina photography festival until 30 July. For four years, the Glasgow-born Wallace focused his photos on one kind of taxi in particular: the Premier Padmini, a 1960s workhorse painted in black and yellow. Locally known as “Kaali-Peeli”, there were once more than 60,000 of them in the Indian city. But thanks to laws restricting pollution, the cars now are fast disappearing from Mumbai’s streets. (Photo by Dougie Wallace/The Guardian)