Australian artist Polixeni Papapetrou trends the line between fantasy/theatre, mythology/reality, archetype/play, male/female, child/adult and animal/human. As with all her work the series The Dreamkeepers tells a story that includes her autobiographical relationship with her children, but it also says a lot more about the condition of childhood - its place in our culture and how we react to images of children in photography.

Masked participants stand in St.Mark's Square during the Carnival on February 10, 2007 in Venice, Italy. (Photo by Marco Di Lauro). P.S. All pictures are presented in high resolution.

Studio stack: Rabbit? Acanthocinus aedilis, Cerambycidae, A female Timberman (Timbermam perhaps?). Stacked from 216 exposures in Zerene Stacker (PMAX). (Photo by John Hallmén). P.S. All pictures are presented in high resolution.

Horse racing commentator Joanne Mathews takes a break from the horses and has some fun with a local pig. 22nd March 1956. (Photo by John Pratt/Keystone Features). P.S. All pictures are presented in high resolution.

A soldier of the French Foreign Legion holding his regiment's banner at Bar Hacheim in Libya, circa 1940. (Photo by Three Lions). P.S. All pictures are presented in high resolution.

If you want to be Dart Vader, you will have to deal with his everyday problems, too. That’s what Paweł Kadysz is doing with his new photo project. He aims to take a picture every day for a year – and each one of them should show the Dark Lord of the Sith tackling everyday life. Washing dishes, ironing clothes, eating breakfast – all those little things that heroes do off screen.

Artist Amber Wheeler of Minneapolis, Minn., has given her 2-month-old boy just that. All she used was some Photoshop and well-timed photos. Using simple black lines – much like the ones in this series of cat Instagram portraits – Wheeler transformed her son into an astronaut, a superhero, and a cowboy without spending one dollar on costumes.