A tourist pets a cat before the “Horus protects Ramses II as a child”, dating to the reign of the Ancient Egyptian New Kingdom pharaoh (1303-1213 BC), at the Egyptian Museum in the centre of Egypt's capital Cairo on October 19, 2022. (Photo by Amir Makar/AFP Photo)

This picture taken on June 3, 2023 shows wild elephants eating rubbish mixed with plastic waste at a dump in the eastern district of Ampara. (Photo by Ishara S. Kodikara/AFP Photo)

Tourists in the Serengeti, Tanzania in the second decade of February 2024, get more than they bargained for as a cheetah jumps on the bonnet of their jeep to make their acquaintance. (Photo by Ann Aveyard/Animal News Agency)

The contest began in 2007, and since then photographers from more than 70 countries have entered. Photo: Michael O'Neal of San Francisco won first place in the animals category in the 2014 iPhone Photography Awards. (Photo by Michael O'Neal)

A newly born Indian white tiger cub yawns in its enclosure at Liberec Zoo, Czech Republic, April 25, 2016. (Photo by David W. Cerny/Reuters)

Michael Fröhlich's Jowett Javelin rotting car in his forest sculpture park in Neandertal Germany, September 11, 2016. An eccentric artist has collected fifty vintage cars and left them to rot in a forest – and now they're worth over $1 million. Former racing driver Michael Fröhlich, from Dusseldorf, Germany, has purposely crashed the cars into trees, buried them in mud and parked them on cliff faces in his estate's garden in the middle of the German Neanderthal. His collections includes a Jaguar XK120 worth $170,000, a Porsche 356 racer and a Buick worth $17,000. (Photo by Christoph Hagen/Barcroft Images)

“Michael Jackson, the performer, consistently transcended racial and gender perceptions; Michael Jackson tribute artists, impersonators and lookalikes reflect this in that they embody a wide span of inspiration and intention. The current crop of impersonators are people who take great care in their appearance – some spend a lot of money and time on their make up and clothing, while others are more concerned with the physical gestures associated with his dances while expressing very little concern in the creation of an illusion”. – Lorena Turner. (Photo and caption by Lorena Turner)

A terminally ill patient raises his arm in a hospice for those dying of AIDS at the Buddhist temple Wat Prabat Nampu in Lopburi province, north of Bangkok November 30, 2014. From 1992, the temple has provided housing for HIV positive patients and palliative care for those in the final stages of the AIDS disease. Data from 2013 estimates Thailand has 450,000 people living with HIV/AIDS, but only 353,000 have access to life-saving antiretroviral drugs. (Photo by Damir Sagolj/Reuters)