Valentin Arias Delgado and Diana Franco Durango, from Colombia, perform their routine at the Stage style Tango World Championship, in Buenos Aires, Argentina, August 31, 2016. (Photo by Enrique Marcarian/Reuters)

The Historic Photographer of the Year awards celebrate historic places and cultural sites across the globe, from national treasures to hidden gems. Entries were judged on originality, composition and technical proficiency as well as the story that inspired the submission and its historical impact. Here: Overall winner. Mont Saint-Michel by Daniel Burton. (Photo by Daniel Burton/The Guardian)

“Misty Rainbow”. A rainbow appears over tea fields in Tangerang Selatan, Indonesia. (Photo by Dani Agus Purnomo/Royal Meteorological Society’s Weather Photographer of the Year Awards)

Balinese traditional dancers take selfie as they await the arrival of G20 leaders at Ngurah Rai International airport at Tuban, Badung regency on Indonesia resort island of Bali, on November 13, 2022. (Photo by Sonny Tumbelaka/AFP Photo)

(L-R) Jesse Montana , Kyle Chan, James Kennedy and Anthony F. attend Kyle Chan's “Star Wars vs. s*xy Aliens” Birthday Party at Sofitel Hotel on February 19, 2019 in Los Angeles, California. (Photo by Robin L Marshall/Getty Images)

The legendary US photographer’s favourite shots of creatures and how they interact with humans feature in “Animals”, his latest book. Here: A boy rests against a cow, Kathmandu, Nepal, 2013. “Cows have been designated the national animal in Nepal. They roam freely, and are considered sacred by the 80% of Nepalis who are Hindu”. (Photo by Steve McCurry/The Guardian)

A person poses on the track during a fashion competition at the Durban July horse racing event in Durban, South Africa, July 2, 2016. (Photo by Rogan Ward/Reuters)

Wide-angle category winner. Part of the Illusion by Marcus Blatchford (UK). Location: National Dive & Activity Centre, Chepstow, Wales. “This is the deepest inland dive centre in the UK. The dive plan was to explore the deep end, but this time I dived ‘unplugged’ (without my strobes). With the exception of this change to my camera technique, there were no planned shots I wanted to achieve – just a fun dive with ad-hoc photos along the way. Shortly after this photo was captured, in 6C water and two hours of decompression ahead of us, we turned and started the long ascent back to the surface”. (Photo by Marcus Blatchford/Underwater Photographer of the Year 2016)