Bouboule, an English bulldog rests in its hotel room at Actuel Dogs on April 19, 2011 in Vincennes, France. Opened in November 2010 by Devi and Stan Burun, Actuel Dogs is a five-star luxury hotel for dogs with four single rooms and two suites. With the aim of meeting the dogs' needs, the hotel offers activities including doggy walks, doggy rando (hiking), doggy jogs, doggy velo (running next to a bike) and other services such as dog massage. The hotel also caters to the needs of people living in small appartments or who don't have the time to walk their dogs. (Photo by Franck Prevel/Getty Images)

“Animals take on human characteristics in this photo series by Davide Luciano. Davide’s goal was to achieve personification of these animals’ body parts without the use of motion. Using photography’s ability to manipulate time, Davide presents a snippet of these creature “active” lives by photographing a process, thus creating the illusion of life in these lifeless animal limbs. Recreating the uncomfortable into quizzical and whimsical photos that are bold, colorful, and always comical and satirical”. (Photos and caption by Davide Luciano)

A group of young women have 'a bit of a do' for Oxfam at St Pancras International and enjoy a screening of the nation's favourite chick-flick Dirty Dancing on February 28, 2011 in London, England. Oxfam is calling on women across the UK to get together with their female friends in March to celebrate women's achievements for the 100th anniversary of International Women's Day (March 8, 2011) and raise money to support their work with women living in poverty. www.oxfam.org.uk/do (Photo by Ian Gavan/Getty Images for Oxfam). LONDON, ENGLAND – FEBRUARY 28

A man dressed as a “Trapajon”, representing entities of nature, poses for a picture after taking part in the Vijanera Festival in Silio, northern Spain, Sunday, Jan. 6, 2013. The Vijanera masquerade, of pre-Roman origin, is the first carnival of the year in Europe symbolizing the triumph of good over evil and involving the participation of crowds of residents wearing different masks, animal skins and brightly colored clothing with its own complex function and symbolism and becoming the living example of the survival of archaic cults to nature. (Photo by Daniel Ochoa de Olza/AP Photo)

“The Zulu are the largest South African ethnic group, with an estimated 10–11 million people living mainly in the province of KwaZulu-Natal. Small numbers also live in Zimbabwe, Zambia, and Mozambique. Their language, Zulu, is a Bantu language; more specifically, part of the Nguni subgroup. The Zulu Kingdom played a major role in South African history during the 19th and 20th centuries. Under apartheid, Zulu people were classed as third-class citizens and suffered from state-sanctioned discrimination. They remain today the most numerous ethnic group in South Africa, and now have equal rights along with all other citizens”. – Wikipedia.

Photo: A Zulu woman playing the piano while a group of others sit and listen (to put it briefly, Englishmen scoff over Zulu). South Africa, circa 1925. (Photo by General Photographic Agency)

In this November 21, 2015 photo, Camila Lopez Rivas, 14, poses for portraits on a beach in Havana, Cuba, as an assistant lifts the train of her dress to make it look like its flying in the wind. Camila lives in Miami, the daughter of a truck driver who left Cuba when she was a baby. She doesn't remember the island, but wanted to return for the photographs and videos that Latin American girls typically take for their 15th birthdays. (Photo by Ramon Espinosa/AP Photo)

A fan watches the group A World Cup match between Mexico and Brazil via a live broadcast at the FIFA Fan Fest in Sao Paulo, Brazil, Tuesday, June 17, 2014. Forget the French manicure. It’s Brazil during World Cup, and women here want to flaunt their love of the national team with wacky nail designs. (Photo by Dario Lopez-Mills/AP Photo)

Photographer Sandro Giordoan has created a photo series of people who look like they’ve just taken terrible falls, spilling all their things around them. “Each shot ‘tells’ about worn out characters who, as if a sudden black-out of mind and body took over, let themselves crash with no attempt to save themselves, unable, because of the fatigue of the everyday ‘representation’ of living, oppressed by ‘appearance’ instead of simply ‘existing’,” said Giordano. (Photo by Sandro Giordoan)