A red squirrel leaps over a gray squirrel after the larger squirrel became annoyed with its territory being encroached upon, Saturday, May 28, 2022, in Freeport, Maine. (Photo by Robert F. Bukaty/AP Photo)

People look at paintings by artists inspired by the Pokemon at the Van Gogh museum in Amsterdam, on September 28, 2023. (Photo by Remko de Waal/ANP via AFP Photo)

Pittsburgh police officers stand near a Port Authority bus that had fallen into a sinkhole along 10th Street and Penn Avenue in Pittsburgh on Monday, October 28, 2019. The bus and a car fell in the sinkhole shortly before 8 a.m. One person was taken to the hospital for a minor injury. (Photo by Kristina Serafini/Pittsburgh Tribune-Review via AP Photo)

A derelict farm house adorns the horizon as it sits in a field in the Lancashire Countryside on January 26, 2012 in Burscough, England. (Photo by Christopher Furlong/Getty Images)

In this 1997 photo released by the International Fund for Animal Welfare, a seal hunter, right, threatens a cameraman with a knife during the filming of a seal hunt in the Gulf of St. Lawrence, Canada. “Huntwatch”, a documentary by the organization about the fight to end commercial seal hunts, premieres in September 2016 on Discovery. The producers say it includes grainy but powerful archive footage that had languished in the basement of the group’s headquarters on Cape Cod for nearly five decades. (Photo by Richard Sobol/IFAW via AP Photo)

Elle & The Pocket Belles on day three of the Qatar Goodwood Festival 2022 at Goodwood Racecourse, Chichester on Thursday July 28, 2022. (Photo by Steven Paston/PA Wire)

Wild Thang, a Pekingese competing in the 2023 World’s Ugliest Dog Contest sits in the waiting kennel before the start of the annual World's Ugliest Dog contest at the Sonoma-Marin Fair in Petaluma, California, on June 23, 2023. Scooter was the winner of the 2023 World’s Ugliest Dog Competition. (Photo by Philip Pacheco/AFP Photo)

In Weronika Gęsicka’s unsettling images, American archive photography gets distorted into scenes that are both nightmarish yet somehow entirely plausible. Gęsicka is a guest artist at the Circulations festival for young European photographers, Paris, until 5 March. Here: “Untitled #5”. (Photo by Weronika Gęsicka/The Guardian)