Twin brothers Keith (L) and Deano Stapleton (R) interact with one another as people gather to witness the winter solstice on December 21, 2022 in Newgrange, Ireland. Crowds are gathering at Newgrange in Co Meath, this morning for the winter solstice – the astronomical phenomenon that marks the shortest day and the longest night of the year. Newgrange is a Stone Age (Neolithic) monument in the Boyne Valley, County Meath, it is the jewel in the crown of Ireland's Ancient East and was constructed approximately 5,200 years ago (3,200 B.C.) which makes it older than Stonehenge and the Great Pyramids of Giza. (Photo by Charles McQuillan/Getty Images)

A child coated in silver body paint, smiles during the “Loucura Suburbana”, or Suburban Madness pre-Carnival parade, in Rio de Janeiro, Brazil, Thursday, February 8, 2024. (Photo by Bruna Prado/AP Photo)

A Palestinian child receives food cooked by a charity kitchen amid shortages of food supplies in Rafah, in the southern Gaza Strip on February 20, 2024. (Photo by Mohammed Salem/Reuters)

A contestant on the 28th season of The Bachelor Kelsey Anderson hangs out at the Gallery Desert House with PATRÓN EL ALTO during Stagecoach on Friday, April 25, 2025. (Photo by Angel Montalvo)

Raquel Poti poses for photographers during the “Amigos da Onça” street party on the second day of Carnival on February 10, 2024 in Rio de Janeiro, Brazil. (Photo by Buda Mendes/Getty Images)

Heather Wilson and Tom Hendry, rangers on the Farne Islands, weigh a puffin using a jug as part of the annual seabird census on May 13, 2025. (Photo by Times photographer James Glossop)

Sophie Hawkshaw, 9, dressed as a Headless Horseman, participates in a lead rein fancy dress competition for riders under 10 years old at an agricultural show, in Athenry, Ireland on May 25, 2025. (Photo by Clodagh Kilcoyne/Reuters)

«Sharon Wild (from the series The Valley)», 2001. Larry Sultan grew up in California’s San Fernando Valley, which was a source of inspiration for a number of his projects. His series The Valley (2004) addresses the use of ordinary homes as sets for pornographic films, and asks why the ideal of middle-class domesticity lends itself to this most curious form of cultural appropriation. (Photo by Larry Sultan)