Animator from San Francisco Marty Cooper, like many of us are tired of what is happening around. So he took a transparent celluloid film, pen and white pencil, and began to change the world in which he lives. Sometimes funny, sometimes sad, sometimes – quite unexpected pictures.

Shuichi Mizoguchi is the forerunner of Japanese digital graphic art. He is known for his fantastic Japanese feminine beauty imagery. SHU can get the best of his talent to use various colors freely and uniquely to create fantastic imagery of ancient scenery, robots on top of the Japanese feminine beauty. His imagery has been captivated by Japanese young and middle class generations.

Blule is the brand of French illustrator/designer, Clementine, who currently resides in Australia and has worked as an industrial designer for companies such as Fila, and L’Oreal among others. She starts every image with a pencil sketch on handmade Indian watercolor paper sheet and uses high quality French watercolor paint to achieve the desired effect.

Sharon Beals is a San Francisco based photographer who has photographed nest and eggs specimens collected over the last two centuries at The California Academy of Sciences, The Museum of Vertebrate Zoology, and The Western Foundation of Vertebrate Zoology. While few nests are collected today, these nests and eggs are used for research, providing important information about their builder’s habitats, DNA, diseases and other survival issues.

“Photo mechanic” and photographer Ionut Caras creates surreal concepts by combining the everyday with the unthinkable. His use of light and tone takes the viewer into a bizarre and beautiful world only seen in storybooks and our dreams. Photo: “The observer”. (Photo by Ionut Caras)

We pleased to present Broken Mirror/Evening Sky, a new series of striking landscape photographs by New York based artist Bing Wright. Departing from his usual pared down images in grey palettes, Wright offers us moving skyscape photographs of richly colored sunsets reflected onto broken mirrors. This new body of work marks his first return to color photography in almost a decade.