A fan waves a Brazilian flag before the arrival of the Olympic torch ahead of the Rio 2016 Olympic Games on August 2, 2016 in Sao Goncalo, Rio de Janeiro state, Brazil. The torch will arrive in the city of Rio tomorrow and the Games commence on August 5. (Photo by Mario Tama/Getty Images)

An Indian toddler plays amid marigold flowers at a wasted flowers dumping site, besides a flower market in Mumbai, India, 28 September 2016. Marigold flowers are used in many religious ceremonies in the temples in India. Strung together they make colourful garlands and are used as an offering in temples and to decorate them. (Photo by Divyakant Solanki/EPA)

Iraqi army soldiers warm themselves next to a fire near the Qayara air base, south of Mosul, Iraq, Tuesday, November 1, 2016. The U.N. human rights office is lauding efforts by the U.S.-led coalition in the battle against the Islamic State group in Mosul. The office in Geneva says coalition flights over Iraq have largely succeeded in preventing IS from bringing in 25,000 more civilians to the city center, where the militant group has been using people as human shields as Iraqi forces advance on Mosul. (Photo by Felipe Dana/AP Photo)

Saint Nicholas poses with students during a traditional parade in central Brussels, Belgium December 3, 2016. (Photo by Yves Herman/Reuters)

Dancers perform during the carnival in Encarnacion, Paraguay on February 26, 2017. Encarnacion is located 375 km south of Asuncion, describes itself as the “Carnival Capital of Paraguay”. (Photo by Norberto Duarte/AFP Photo)

A man plays in front of a wave crashing into Beirut's Corniche, a seaside promenade, as high winds sweep through Lebanon ahead of an impending storm January 6, 2015. (Photo by Jamal Saidi/Reuters)

Photographer Niki Feijen for his new book, “Frozen”, photographed several abandoned buildings across Europe. Capturing their haunting beauty from years of decay. Here: Paperflow – Room inside a former monastery. (Photo by Niki Feijen)

“Vull sortir a la superficie, i ... respirar”. (Photo by Véronique Carreño Andreu)

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