Technicians check a CRH high-speed train at Shanghai Hongqiao High-speed train base on December 28, 2011 in Shanghai, China. China's railway stations have started today to sell tickets for the 2012 Spring Festival travel season scheduled to run between January 8th and February 16th, centred around the Chinese New Year which this year falls on January 23rd. (Photo by ChinaFotoPress/Getty Images)

Documenting the effects of climate change first hand over the past eight years, Camille Seaman fears we may be on the road to the last iceberg. Photographing the enormous frozen floats at both poles for the past eight years, the Californian adventurer has seen the receding ice shelves and experienced the changing warmer weather. Feeling that her intimate and emotional work documents a snapshot of history, Camille presents her series “The Last Iceberg” as a study of what she sees as the personality of each huge iceberg. Drawing parallels with the famous novel, “The Last of the Mohicans”, Camille, 42, wonders whether these unique, almost alien natural features will become a thing of the past or part of nature's renewal process. (Photo by Camille Seaman/Barcroft Media)

Lean with it' is a photographic series by chicago-based artist Paul Octavious. The images catalog friends of the photographer tilting their bodies along the same angle as a slanted tree, capturing the scene in different seasons.

Most probably wouldnt think of snakes, spiders and lizards as beautiful animals – but these photographs could change some minds. The images show the reptiles seemingly playful sides, from a gleeful looking Budgetts frog, a cheeky leopard sticking out its tongue at the camera and a stack of four colourful iguanas. Contrasted against a white background and shot with a Canon EOS 5D Mark 2 and macro lens, photographer Mickael Leger really made sure they could be seen in all their glory. Here: Gecko. (Photo by Mickael Leger/Caters News)

“Natural History” is a series of completely candid single exposure images that merge the living and the dead to create allegorical narratives of our troubled co-existence with nature. Ghost-like reflections of modern visitors viewing wildlife dioramas are juxtaposed against the antique taxidermied subjects housed behind thick glass, their faces molded into permanent expressions of fear, aggression or fleeting passivity. After decades of over-hunting, climate change, poaching and destruction of habitat, many of these long dead diorama specimens now represent endangered or completely extinct species”. – Traer Scott. (Photo by Traer Scott)

A David Cameron look-alike poses with a polar bear model outside the Houses of Parliament as part of a Greenpeace protest on May 13, 2011 in London, England. The environmental charity Greenpeace arranged the protest to highlight the first anniversary of David Cameron’s speech when he pledged to make his new government the greenest ever. In April 2006 Mr Cameron traveled by huskie-drawn sledge when he visited the island of Svalbard in Norway to witness the effects of climate change. (Photo by Oli Scarff/Getty Images)

A poster by street artist Aaron Li-Hill as part of the "Brandalism" project is displayed at a bus stop in Paris, France, November 28, 2015, ahead of the United Nations COP21 Climate Change conference in Paris. Brandalism is a revolt against corporate control of the visual realm. Following on in the guerilla art traditions of the 20th Century and taking inspiration from Agitprop, Situationist and Street Art movements, the Brandalism project sees artists from around the world collaborate to challenge the authority and legitimacy of commercial images within public space and within our culture. (Photo by Benoit Tessier/Reuters)