Arnaq Egede walks to the potato field on her family's farm on July 31, 2013 in Qaqortoq, Greenland. The farm, the largest in Greenland, has seen an extended crop growing season due to climate change. (Photo by Joe Raedle/Getty Images)

For the Torajan people of Indonesia, death is part of a spiritual journey: families keep the mummified remains of their deceased relatives in their homes for years – and traditionally invite them to join for lunch on a daily basis – before they are eventually buried. Here: Todeng died in 2009. A young relative of his, Sam, lights him a cigarette and changes his glasses. (Photo by Claudio Sieber Photography/The Guardian)

A schoolgirl runs past a burning barricade in Kibera slum, Nairobi on May 23, 2016 during a demonstration of opposition supporters protesting for a change of leadership ahead of a vote due next years. (Photo by Carl De Souza/AFP Photo)

A mountain hare shakes off rain from its fur, in Findhorn Valley, Moray, Scotland in the second decade of August 2024. In summer, the hare’s coat is a grey-brown colour with a tinge of blue, making them hard to spot against the heather moorland. In winter, it changes to almost completely white for camouflage in the snow. (Photo by Will Hall/Solent News)

Coral grows in a sculpture at the MUSZIF underwater museum in Isla Fuerte, Bolivar department, Colombia, on May 22, 2024. In the Colombian Caribbean an underwater museum protects coral reefs threatened by tourism and climate change. (Photo by Luis Acosta/AFP Photo)

The name “Aiguille du Midi” translates literally as “Needle of the Noon” or “Needle of the South”. It gets its name from its tapered form and from its position when viewed from Chamonix: it approximately indicates noon when the sun passes over its summit.

This latest photo series by Anelia Loubser, a photographer in Cape Town, reminds us that even the simplest change in perspective can change how things look drastically. By selectively cropping and flipping the dark portraits in her “Alienation” series, Loubser makes basic human portraits look like creepy alien close-ups.

Photographer’s Pol Ubeda Hervas perspective in his “I’m not There” series, is going against the flow. While the focus of modern photography is set on the human interaction with his surroundings, Hervas changes thing up by capturing the human absence from said surroundings. The concept behind the series is deeply metaphorical, visual food for though reflecting the situations where the change is irreversible and we cannot even recognize ourselves.