Aoife Brack (Gorey, Wexford) with Sean Brack on her shoulders having great fun with the Bubble performers at the Kaleidoscope festival in Russborough House, Co. Wicklow, Ireland on July 2, 2023. (Photo by Nick Bradshaw for The Irish Times)

A woman sits with a Great Dane during the first day of the Crufts dog show in Birmingham, central England March 6, 2014. (Photo by Darren Staples/Reuters)

People watch fireworks commemorating the 76th anniversary of the victory in the Great Patriotic War in St. Petersburg, Russia, May 9, 2021. (Photo by Chine Nouvelle/SIPA Press/Rex Features/Shutterstock)

The Jinshanling Great Wall is seen after a rainfall on March 31, 2022 in Chengde, Hebei Province of China. (Photo by Zhou Wanping/VCG via Getty Images)

A camel wearing a hat amid a heatwave, looks on, in front of the Great Pyramids of Giza, on the outskirts of Cairo, Egypt on July 19, 2023. (Photo by Mohamed Abd El Ghany/Reuters)

A horse at the Great Yorkshire Show in Harrogate, UK on July 9, 2025. The county show is expecting to attract 140,000 visitors over four days. (Photo by Andrew McCaren/London News Pictures)

These portraits reveal the incredibly humanlike expressions of a variety of apes.Through piercing eyes and finite facial details, the intimate photographs show the animals looking angry, sad, delighted and pensive. They are the works of Manuela Kulpa – an IT consultant and keen photographer from near Cologne, Germany – who shot the apes predominantly at zoos across Austria, Belgium, the Czech Republic, Germany and the Netherlands. Here: Bonobo, Azibo. (Photo by Manuela Kulpa/Caters News)

Photographer Emily Dryden and sculptor/actor Zahydé Pietri combine theatricality and organic produce to compose the photographs for their series Fresh Faces. The portraits are made from a wide range of fruit and vegetables and aim to highlight humanity’s diversity – Pietri is from Puerto Rico and Dryden is from New York. Each face has its own name and identity: “We have stories for them, which you can see in the expressions”, says Dryden, “but we decided to keep them to ourselves. We didn’t want to spoil that”. (Photo by Emily Dryden and Zahydé Pietri/The Guardian)