Italian artist Marcello Barenghi draws incredibly realistic everyday objects that appear almost three dimensional with the help of colored pencils and occasional enhancements using markers or watercolor. Each work appears ever so slightly stylized which I think sets these apart from similar hyperrealistic drawings that are meant to ‘trick’ a viewer. If you want to see more, Barenghi runs a YouTube channel where he documents the process of almost every drawing.

Photo taken on September 19, 2015 shows a baby Brazilian opossum at the “Parque Estoril” zoo in Sao Bernardo do Campo of Sao Paulo, Brazil. According to local press, the “Parque Estoril” zoo houses currently 23 orphan cubs of wild animals rescued in the south region of Sao Paulo, victims of illegal wildlife trade or problems caused by urban growth. According to the zoo, all the animals arrived in the last three months, and many of them, not being able to be reintroduced to their natural habitat, will be used as examples in environmental education classes. (Photo by Rahel Patrasso/Xinhua via ZUMA Wire)

Modern art is truly fascinating. Not in a way that it produces some novel things that will fascinate future generations for decades and even centuries to come. No, that is very far from the truth. On the contrary, modern art is essentially anything (yes, any little thing) that is a bit unusual and was created by a famous person. Let’s take the creation of Antoine Bridier-Nahmias for example. His brainchild is a set of pictures of petri dishes that were contaminated by various cultures of fungi. If this is art, I missed my chance of becoming famous when I accidentally left a piece of bread in a bag in a cupboard for about six months, and didn’t take a picture of the rather shocking results that awaited me when I finally discovered it. (Photo by Antoine Bridier-Nahmias)

Jenny Odell repurposes online imagery mostly from Google Maps, but also from YouTube, Craigslist, and other sites. In her “Satellite Collections”, for example, she incorporated aerial views of swimming pools, basketball courts, parking lots, and other recognizable structures, seen from space. Her more recent series, “Satellite Landscapes”, includes painstakingly isolated Google Maps imagery of oil refineries, wastewater treatment plants, solar farms, etc. This work is meant as a reminder of our physically determined and vulnerable existence, since we depend on many of these things for survival and maintenance of our way of life. Photo: Natural gas plant in Pittsburg, CA (detail of Power Landscape), 2013. (Photo by Jenny Odell)

While communism, collectivism, worms, dry rot and casual looting failed to destroy the majestic wooden churches of Russia, it may be ordinary neglect that finally does them in. Dwindled now to several hundred remaining examples, these glories of vernacular architecture lie scattered amid the vastness of the world’s largest country. Just over a decade ago, Richard Davies, a British architectural photographer, struck out on a mission to record the fragile and poetic structures. Austerely beautiful and haunting, “Wooden Churches: Traveling in the Russian North” (White Sea Publishing; $132) is the result. Covering thousands of miles, Mr. Davies described how he and the writer Matilda Moreton tracked down the survivors from among the thousands of onion-domed structures built after Prince Vladimir converted to Christianity in 988.

“The Greek Civil War was fought from 1945 to 1949 between the Greek governmental army, backed by the United Kingdom and United States, and the Democratic Army of Greece (ΔΣΕ) (Greek initials DSE), the military branch of the Greek Communist Party (KKE), backed by Bulgaria, Yugoslavia and Albania. It was the result of a highly polarized struggle between leftists and rightists which started in 1943 and targeted the power vacuum that the German-Italian occupation during World War II had created. One of the first conflicts of the Cold War, according to some analysts it represents the first example of a postwar Western interference in the internal politics of a foreign country, and for others, marked the first serious test of the theory of the so-called Churchill-Stalin percentages agreement. The first signs of the civil war occurred in 1942–1944, during the Occupation”. – Wikipedia

Photo: A Greek commando soldier, wearing a fur-collared jacket supplied by the Americans, waits for a guerrilla target to emerge during the Greek Civil War. (Photo by Bert Hardy/Picture Post/Getty Images). 22nd May 1948

Have you ever heard of a psychological phenomenon which lets us easily understand words, even if the order of letters is mixed up, as long as the first and last letters remain in their rightful place? Similarly, the art works of Michael Turner use only two colors to highlight the main futures of well-recognized superheroes, allowing our imagination to create the rest of the picture. The colors used in the pictures weren’t chosen at random. They perfectly reflect the key characteristics of the superheroes that they depict. For example, the picture of Flash uses red and yellow colors, which are exactly the colors of his costume. While the picture of Green Lantern is, you’ve guessed it, green and black. (Photo by Michael Turner)

Bela Bordosi is not the first person to arrange various household objects into the shape of the letters and making photos, and he’s definitely not the last. However, the way he does it is definitely very distinct and original. Sure, some photos are most definitely staged. However, some letters just pop out of the picture that doesn’t look staged at all. As if by chance, the items create a vivid “A” in your mind, so vivid that it’s very hard to notice the individual items that were used in the making of this composition. The reason behind it is probably because Bela Bordosi’s other photos are optical illusions created using a similar method. (Photo by Bela Borsodi)