Palestinians hit injured Israeli settlers, center, detained by Palestinian villagers in a building under construction near the West Bank village of Qusra, southeast of the city of Nablus, Tuesday, January 7, 2014. Palestinians held more than a dozen Israeli settlers for about two hours Tuesday in retaliation for the latest in a string of settler attacks on villages in the area, witnesses said. The military said the chain of events apparently began after Israeli authorities removed an illegally built structure in Esh Kodesh, a rogue Israeli settlement in the area. In recent years, militant settlers have often responded to any attempts by the Israeli military to remove parts of dozens of rogue settlements, or outposts, by attacking Palestinians and their property. The tactic, begun in 2008, is known as “price tag”. (Photo by Nasser Ishtayeh/AP Photo)

While the lido was described as bringing “modernism to the masses” on the British coast it was just the latest example of a trend that had been developing since Victorian times – transforming seaside towns into resorts for leisure and entertainment. In the latter half of the nineteenth century, the fashion was for local authorities to build great piers stretching from the promenade out into the sea. The Eastbourne Pier, pictured here in May 1931, was erected between 1866 and 1870 to an ingenious design by Eugenius Birch, which saw the structure sitting on special cups allowing the supporting struts to “move” in bad weather. Arranged on the pier's 1,000-foot length were kiosks, a theatre, a ballroom and a camera obscura. 1931. (Photo by Aerofilms Collection via “A History of Britain From Above”)

Roza Khamitova was born into a family of artists in Kazakhstan. After finishing design school in Manhattan, New York, she was working in fashion industry for about 8 years. As a visual artist Roza had always drawn most of her inspiration from the natural world around her in the mountains of Kazakhstan. In 2011 she launched Shovava, her personal line of women’s clothing based on her hand drawn paintings and prints of the animals, plants and patterns found in nature. Roza was enchanted by the beauty of wings, its structure and symbolism. First, she sketches big wide-spread wings on paper with a light pencil, adds black ink to create a three-dimensional feel and fills with stunning watercolors.

Jenny Odell repurposes online imagery mostly from Google Maps, but also from YouTube, Craigslist, and other sites. In her “Satellite Collections”, for example, she incorporated aerial views of swimming pools, basketball courts, parking lots, and other recognizable structures, seen from space. Her more recent series, “Satellite Landscapes”, includes painstakingly isolated Google Maps imagery of oil refineries, wastewater treatment plants, solar farms, etc. This work is meant as a reminder of our physically determined and vulnerable existence, since we depend on many of these things for survival and maintenance of our way of life. Photo: Natural gas plant in Pittsburg, CA (detail of Power Landscape), 2013. (Photo by Jenny Odell)

Roof-topping enthusiast Daniel Lau takes a selfie with high-rise buildings down below as he stands on the top of a skyscraper in Hong Kong, China on August 15, 2017. A craze that began in Russia has now taken hold in Hong Kong, one of the world's most vertical cities. Mr Lau said he had been inspired by Russian climbers and that he was unafraid of the vertiginous heights he scales. (Photo by ImagineChina/Rex Features/Shutterstock)

A workman sweeping the highest sidewalk in the world, the 81st story of the Empire State Building, the world's tallest building, to the top of which the greatest dirigible “Los Angeles” will attempt to moor, New York, New York, early 1930s. This photo was made 1,248 feet above street level. (Photo by Adam Glickman/Underwood Archives/Getty Images)

British designer Alex Chinneck created the installation - called From the Knees of my Nose to the Belly of my Toes - by removing the facade of a detached four-storey house that had been derelict for eleven years and replacing it with a brand new frontage that leaves the crumbling top storey exposed, then curves outwards so the bottom section lies flat in front of the house.

“Farmer reading his farm paper”. Coryell County, Texas, September 1931. (Photo by George W. Ackerman)

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