Children of Indian laborers play on make-shift swings in Amritsar, India, May 12, 2015. (Photo by Narinder Nanu/AFP Photo)

Indian devotees carry their luggage and wade through the flooded water in Varanasi, India, Friday, August 26, 2016. (Photo by Tsering Topgyal/AP Photo)

A roadside currency exchange vendor sorts Indian currency notes at his stall in Agartala, India, December 6, 2016. (Photo by Jayanta Dey/Reuters)

Rockhopper penguins live up to their name as they navigate the rugged coastline of Marion Island in the southern Indian Ocean. (Photo by Thomas P. Peschak)

An Indian woman smeared in colors dances during Holi festival in Mumbai, India, Monday, March 29, 2021. (Photo by Rajanish Kakade/AP Photo)

A Ka'apor Indian warrior (L) chases a logger who tried to escape after they captured him during a jungle expedition to search for and expel loggers from the Alto Turiacu Indian territory, near the Centro do Guilherme municipality in the northeast of Maranhao state in the Amazon basin, August 7, 2014. Tired of what they say is a lack of sufficient government assistance in keeping loggers off their land, the Ka'apor Indians, who along with four other tribes are the legal inhabitants and caretakers of the territory, have sent their warriors out to expel all loggers they find and set up monitoring camps in the areas that are being illegally exploited. (Photo by Lunae Parracho/Reuters)

In Mumbai, the windows of new high-rise apartment blocks, old low-rise residential buildings and shantytown shacks portray the disparity in living conditions and incomes in the Indian city. Rents for a place to live range from more than $2,000 to less than $5 a month. Here: Windows and doors of an old residential building are pictured in central Mumbai October 10, 2014. The cost for buying a residential apartment in Mumbai close to the city centre ranges from 12,000 Indian rupees ($ 200) per square feet to 112,552 Indian rupees ($ 1800) per square feet. (Photo by Danish Siddiqui/Reuters)

The photography duo of Floto+Warner created the series, “Colorant”, from an idea that stemmed out of a previous series and the fascination of landscapes, with results that leave one in awe. Creating shapes, not experienced in nature, they tossed colored water in the air to capture “a momentary graffiti of air and space”. Using a high shutter speed to capture these fleeting moments, Floto/Warner has produced a multi-medium series with jaw-dropping results. Photo: “Orange Salt Flats”. (Photo by Floto/Warner)