Christopher Wheeldon’s Alice’s Adventures in Wonderland is the biggest production the Australian Ballet has ever undertaken and it’s also one of the most spectacular. Created for the Royal Ballet and designed by Bob Crowley, it involves puppetry, optical illusions, major setpieces and immersive projections, as well as costumes that some dancers have to actually climb into. Here: Ako Kondo as Alice, on stage September 11, 2017 in Melbourne, Australia. (Photo by Jeff Busby/The Guardian)

“George Stubbs (25 August 1724 – 10 July 1806) was an English painter, best known for his paintings of horses”. – Wikipedia

Photo: LONDON, ENGLAND - APRIL 06: Christie's employees stand beside a painting entitled “Gimcrack on Newmarket Heath, with a Trainer, a Stable-Lad, and a Jockey” by George Stubbs on April 6, 2011 in London, England. The painting is expected to sell for in excess of £20M GBP, making it one of the most expensive Old Master paintings ever sold at auction when it goes on sale at the 'Old Masters and British paintings evening sale' at Christie's auction house on July 5, 2011. (Photo by Dan Kitwood/Getty Images)

A worker is immersed in a kaleidoscope of colour while they paint traditional umbrellas in Juwiring, Klaten, Central Java, Indonesia in December 2023. The workers who spend around 8 hours a day, depending on order quantities and customer deadlines are paid around Ј200 a month. They will paint a batch over the period of two to three days until each layer of paint is dry. Extras of the traditional umbrella will be made as many tourists come to buy them. (Photo by Lia Indriani/Solent News & Photo Agency)

“Li Wei (born in 1970, Hubei, China) is a contemporary artist from Beijing, China. His work often depicts him in apparently gravity-defying situations. Wei started off his performance series, Mirroring, and later on took off attention with his Falls series which shows the artist with his head and chest embedded into the ground. His work is a mixture of performance art and photography that creates illusions of a sometimes dangerous reality. Li Wei states that these images are not computer montages and works with the help of props such as mirror, metal wires, scaffolding and acrobatics”. – Wikipedia

Photo: Love at the high place I (Photo by Li Wei)

A woman react inside a cloud of paint powder during the holi one colour Festival held in the city of Cape Town, South Africa, Saturday, March 2, 2013. Thousands of people are taking part in the festival by throwing coloured paint powder at each other to express freedom and the colour of everyday life. (Photo by Schalk van Zuydam/AP Photo)

Karl Bang's paintings are unique because he combines totally different styles of painting within the same format. It is very difficult to design a balanced composition with realistic elements that are juxtaposed with flat colors and patterns. The faces of his subjects are painted realistically in the Western tradition with subtle gradations of color; while, his figures and costumes vignette into abstracted shapes, lines, flat colors and patterns that reflect Karl's background in China. It is as though there are different visual languages being spoken within his paintings.

Artists called “Le couple en chocolat” take part in the festival “Statues en Marche” in Marche-en-Famenne, Belgium, July 22, 2018. Living statues are a common sight in many city centres, but it is rare to see such a diverse range of this peculiar form of street art for which performers must keep still for painfully long periods of time to create the desired illusion. (Photo by Yves Herman/Reuters)

Dutch artist Suzan Drummen‘s large-scale floor installations are mesmerizing and complex circular patterns made out of mirrors and brightly colored glass. The fractal-like arrangements feature ornate and elaborate circles growing exponentially out of each other and vibrant rings of spiraling colors winding into the surface of the floor. They are composed of crystals, chromed metal, precious stones, mirrors and optical glass. A sensory experience, and visually stimulating, the glittering installations play with the architecture of the space — climbing up walls and sweeping across the surfaces — examining the idea of illusion and optical effects.