Professor Xie Yong works on an art installation of a beaver, which is made out of plastic and around 300,000 needles, in Shenyang, Liaoning province, July 23, 2013. The needles, according to Xie, represent the pain felt by animals when their fur is taken off to produce clothing. (Photo by Reuters/Stringer)

The giant inflatable Rubber Duck installation by Dutch artist Florentijn Hofman floats on the Parramatta River, as part of the 2014 Sydney Festival, in Western Sydney, January 10, 2014. The creation is five stories tall and five stories wide and has been seen floating in various cities around the world since 2007. (Photo by Jason Reed/Reuters)

Roma people are seen in a Romani camp installed along La Petite Ceinture, an abandoned railroad line, in Paris, France, February 2, 2016. More than 350 Roma people, who have been living here since the last summer, face eviction from the makeshift camp this week. (Photo by Jacky Naegelen/Reuters)

This photograph shows the installation of French artist Cesar Baldaccini, titled “Cesar's Pouce”, at Palais-Royal Garden public park, in Paris, on October 15, 2024, as part of the Art Basel Paris 2024’s Public Program. (Photo by Thomas Samson/AFP Photo)

A “mouse house” fire station and book store, designed by an anonymous group of Swedish artists known as ”AnonyMouse”, is installed next to a retail store in Newton, Massachusetts, USA, 23 June 2022. Known for mouse-themed miniatures in Sweden, France and the Isle of Man, the collective has started installing several of the miniatures in Boston and the surrounding areas. (Photo by C.J. Gunther/EPA/EFE)

Performers walk past a light installation “Butterfly Effect” designed by Japan artist Masamichi Shimada, at the Battersea Power Station in London, Thursday, January 25, 2024. The Light Festival involved seven light installations from British and international artists at Battersea Power Station, which illuminated the winter evenings between Jan. 25 and Feb, 25. (Photo by Kin Cheung/AP Photo)

People appear dangling as a large-scale installation art piece by Leandro Erlich, named “Dalston House”, in London, England. Part of the “Beyond Barbican” summer series of events, the interactive installation is a full facade of a late nineteenth-century Victorian terraced house built on the ground with a large mirror above it to reflect people as to appear dangling from the structure. (Photo by Dan Dennison)