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A bully greenfinch (left) got its comeuppance when a small but fiery dunnock (right) defended itself with its talons in Suffolk, United Kingdom on April 18, 2022. The smaller bird was perched peacefully before the finch burst onto the scene and aggressively squared up to the dunnock. But as the finch tried to peck at the dunnock, the small brown bird expertly used its foot to slam its mouth shut. (Photo by Paul Sawer/Solent News & Photo Agency)

A bully greenfinch (left) got its comeuppance when a small but fiery dunnock (right) defended itself with its talons in Suffolk, United Kingdom on April 18, 2022. The smaller bird was perched peacefully before the finch burst onto the scene and aggressively squared up to the dunnock. But as the finch tried to peck at the dunnock, the small brown bird expertly used its foot to slam its mouth shut. (Photo by Paul Sawer/Solent News & Photo Agency)
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01 May 2022 04:49:00
Louis Vuitton Red Square

Moscow’s Red Square has seen its share of strange stuff over the centuries, from medieval public executions to artistic self-mutilations. But a giant Louis Vuitton suitcase took many Muscovites completely by surprise. The 9-meter high, 30-meter long building covered in iconic gold-on-brown pattern erected last week is to host a historic exhibition.
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26 Dec 2013 11:50:00
Stemonitis  Axifera

Stemonitis axifera is a species of slime mold. It fruits in clusters on dead wood, and has distinctive tall reddish-brown sporangia, supported on slender stalks. The species was first described as Trichia axifera by Jean Baptiste François Pierre Bulliard in 1791. Thomas Huston MacBride transferred it to the genus Stemonitis in 1889. Stemonitis fasciculata and Stemonitis smithii are synonyms.
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08 Feb 2014 10:30:00
Application of henna or “Mehndi”  to a girls hand in a market in Jaipur, India

“Mehndi or menhdi is the application of henna as a temporary form of skin decoration in India, as well as by expatriate communities from the country. The word mehndi is derived from the Sanskrit word mendhikā. The use of mehndi and turmeric is described in the earliest Vedic ritual books. Haldi (Staining oneself with turmeric paste) as well as mehndi are important Vedic customs as a symbolic representation of the Outer and the Inner Sun. Vedic customs are meant to awaken the “inner light” and so the gold of the inner Sun has an important symbolic function”. – Wikipedia

Photo: Application of henna or “Mehndi” to a girls hand in a market on October 18, 2010 in Jaipur, India. (Photo by Simon de Trey-White/Getty Images)
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23 Nov 2011 13:33:00
Balinese Hindus carry Pratimas, or symbols of God, on the beach during Melasti, a purification ceremony, ahead of the holy day of Nyepi, in Gianyar on the Indonesian resort island of Bali, March 6, 2016. Nyepi is a day of silence to celebrate the Balinese new year, reserved for self-reflection, where people are not allowed to use lights, light fires, work, travel or enjoy entertainment. (Photo by Roni Bintang/Reuters)

Balinese Hindus carry Pratimas, or symbols of God, on the beach during Melasti, a purification ceremony, ahead of the holy day of Nyepi, in Gianyar on the Indonesian resort island of Bali, March 6, 2016. Nyepi is a day of silence to celebrate the Balinese new year, reserved for self-reflection, where people are not allowed to use lights, light fires, work, travel or enjoy entertainment. (Photo by Roni Bintang/Reuters)
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07 Mar 2016 11:19:00
In this photograph taken on September 22, 2016, a Pakistani devotee decorates symbolic paper boats, an offering to Muslim saint Abdulqadir Jilani as a way of giving thanks after their desire to give birth to a son was fulfilled, before dropping it into the water during an annual ceremony on the banks of the River Ravi in Lahore. The ceremony commemorates a centuries-old tale that Muslim saint Abdulqadir Jilani raised a sunken ship carrying a wedding party, at the pleading of the groom's mother, saving all the occupants. (Photo by Arif Ali/AFP Photo)

In this photograph taken on September 22, 2016, a Pakistani devotee decorates symbolic paper boats, an offering to Muslim saint Abdulqadir Jilani as a way of giving thanks after their desire to give birth to a son was fulfilled, before dropping it into the water during an annual ceremony on the banks of the River Ravi in Lahore. The ceremony commemorates a centuries-old tale that Muslim saint Abdulqadir Jilani raised a sunken ship carrying a wedding party, at the pleading of the groom's mother, saving all the occupants. (Photo by Arif Ali/AFP Photo)
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06 Oct 2016 09:19:00
The Boeoegg, a giant symbolic snowman made of wadding and and filled with firecrackers burns on top of a bonfire in Sechselaeuten square on April 24, 2017 in Zurich. When the bells of the Saint Peter's church chime six o'clock, the bonfire under the snowman is set in fire and the guildsmen wearing historical costumes ride around the bonfire. The faster the head of the snowman explods the warmer and more beautiful the summer will be. (Photo by Michael Buholzer/AFP Photo)

The Boeoegg, a giant symbolic snowman made of wadding and and filled with firecrackers burns on top of a bonfire in Sechselaeuten square on April 24, 2017 in Zurich. When the bells of the Saint Peter's church chime six o'clock, the bonfire under the snowman is set in fire and the guildsmen wearing historical costumes ride around the bonfire. The faster the head of the snowman explods the warmer and more beautiful the summer will be. (Photo by Michael Buholzer/AFP Photo)
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26 Apr 2017 08:52:00
vVisitors view Patricia Piccinini's “The Embrace” artwork during the “You Know Who” exhibition at the Abdulmecit Efendi mansion in Istanbul, Turkey, 27 September 2022. The exhibition, which by the organizers is described as questioning “the representation of the unknown in contemporary art, based on the symbolic world of the supernatural and unknown in the Byzantine period”, is shown from 20 September until 11 December 2022. (Photo by Erdem Sahin/EPA/EFE/Rex Features/Shutterstock)

Visitors view Patricia Piccinini's “The Embrace” artwork during the “You Know Who” exhibition at the Abdulmecit Efendi mansion in Istanbul, Turkey, 27 September 2022. The exhibition, which by the organizers is described as questioning “the representation of the unknown in contemporary art, based on the symbolic world of the supernatural and unknown in the Byzantine period”, is shown from 20 September until 11 December 2022. (Photo by Erdem Sahin/EPA/EFE/Rex Features/Shutterstock)
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28 Sep 2022 05:03:00