Jellyfish with a juvenile imperial blackfish (Schedophilus ovalis) in Castellammare di Stabia, Naples, Italy, winter 2023. (Photo by Marco Gargiulo/Media Drum Images)

The strength of a weaver ant carrying fruit in Indonesia in the last decade of August 2024 is equivalent to the average man or woman picking up a minibus. (Photo by Ridho Arifuddin/Solent News)

Getting her tongue pierced was “exciting and scary” says a teen who succumbed to pressure from her best friend in Austin, Texas, February 22, 2008. This image is featured in National Geographic's exhibition “Women of Vision: National Geographic Photographers on Assignment”, on view at the Palm Beach Photographic Centre, Jan. 22 - Mar. 22, 2015. (Photo by Kitra Cahana/National Geographic)

Miss Zero, whose real name is Sasha Frolova, of Russia celebrates winning the Alternative Miss World contest at Shakespeare's Globe theatre in London, October 18, 2014. The competition, which is open to entrants of any gender or nationality, was started by artist Andrew Logan in 1972. (Photo by Peter Nicholls/Reuters)

Mount Sinabung releasing volcanic ash, on February 04, 2017 Karo, North Sumatra, Indonesia. (Photo by Albert Damanik/Barcroft Images)

People walk past the Sleepwalker, a sculpture along the High Line in New York, US on May 10, 2016. The hyperrealistic work by Brooklyn artist Tony Matelli is part of the linear park’s Wanderlust exhibition. (Photo by Xinhua/Barcroft Images)

Visitors gather outside Ark Encounter, a 100 million USD, 510-foot-long re-creation of Noah's Ark in Williamstown Kentucky, USA, 05 July 2016. Ark Encounter is the brainchild of Australian-born creationist Ken Ham; it was built with the help of state tax incentives and the sale of 62 million USD in junk bonds. (Photo by Jim Lo Scalzo/EPA)

In his series of untitled photographs Nobody Claps Anymore, the Mexican-American photographer Alec Dawson portrays ordinary people in their homes in a downbeat, ultra-stylised manner. Staring into space as they watch TV or water the garden, the real-life subjects of photographer hint at vast reserves of boredom and regret. (Photo by Alec Dawson)