“Banksy is an pseudonymous England based graffiti artist, political activist, film director and painter. His satirical street art and subversive epigrams combine irreverent dark humour with graffiti done in a distinctive stencilling technique. Such artistic works of political and social commentary have been featured on streets, walls, and bridges of cities throughout the world”. – Wikipedia

Photo: A Bristol Museum employee adjusts one of the latest suprise exhibits by the underground guerrilla artist, Banksy on June 12 2009 in Bristol, England. The exhibition called “Banksy versus Bristol Museum” is one of the largest single collections of the artist works and was organised under tight security and installed in just 36hrs with only a handful of museum staff aware it was even happening. Banksy, whose real identity remains a mystery, is said to hail from the Bristol area, and claims that hosting the exhibition in the city is his way of thanking the city for his early street art career. (Photo by Matt Cardy/Getty Images)

A man works on a small replica of the Iron Man armor next to a homemade replica of the “Hulkbuster” Iron Man armour from the movie “Avengers: Age of Ultron”, at an underground parking lot in Zhengzhou, Henan province, China, May 12, 2015. The 3.4-metre-tall replica is made of over 100 fiber-reinforced plastic components. It took Xing and his friends two months to put them together after watching the trailer of the movie in March, local media reported. (Photo by Reuters/Stringer)

In this Friday, January 6, 2017, photo, a North Korean woman working at the Kim Jong Suk Silk Mill looks up from her workstation in Pyongyang, North Korea. The silk mill, named after North Korean leader Kim Jong Un's grandmother, is where 1,600 workers – mostly women – sort and process silkworms to produce silk thread that officials at the Pyongyang factory say is made into roughly 200 tons of silk a year. (Photo by Wong Maye-E/AP Photo)

Miners work extremely long days under the hot sun and the hours are often longer in illegal mines in Ghana, West Africa, 2014. An Australian photographer has captured the harsh reality of illegal mining under the unforgiving sun with these Ghanaian miners. (Photo by Heidi Woodman/Barcroft Images)

In this Friday, January 7, 2011 photo, people carry baskets of coal scavenged illegally at an open-cast mine in the village of Bokapahari in the eastern Indian state of Jharkhand where a community of coal scavengers live and work. The world's biggest coal users – China, the United States and India – have boosted coal mining in 2017, in an abrupt departure from last year's record global decline for the heavily polluting fuel and a setback to efforts to rein in climate change emissions. (Photo by Kevin Frayer/AP Photo)

A talented portrait photographer has moved on from capturing traditional human subjects – instead photographing a stunning variety of wild animals. Brad Wilson, 51, stands just feet away from the likes of tigers, rhinos, elephants and primates. Each animal is given the same respect and dignity as any human subject, with Brad setting up a full photographic studio, either at or near sanctuaries and zoos across the U.S. The works are the second part of Brad's Affinity series, which the photographer – based in Los Angeles, California, first started working on in 2010. Here: Orangutan. (Photo by Brad Wilson/Caters News)

Master Sergey Suprun uses a portable radio set as he stands near a rotary dredge which works on the coal face of the Borodinsky opencast colliery, near the Siberian town of Borodino, east of Krasnoyarsk, Russia October 27, 2015. The Borodinsky colliery, 9 km (5.6 miles) long and more than 100 meters (328 feet) deep, annually produces more than 20 million tons of coal and is considered to be the biggest opencast coal mine in Russia, according to official representatives. (Photo by Ilya Naymushin/Reuters)

Artist Jason deCaires Taylor’s Museo Atlantico, off Lanzarote, is peopled with concrete casts of refugees and people taking selfies. Drowned world: welcome to Europe’s first undersea sculpture museum. Here: The Raft of Lampedusa, Taylor’s modern-day concrete echo of Géricault’s The Raft of the Medusa. The work has particular significance given the huge movement of refugees across the sea to Europe – and the frequent fatalities that result. (Photo by Jason deCaires Taylor)