Members of the Loktev Ensemble perform during the opening of the 18th Moscow Meets Friends International Festival at the Moscow International House of Music in Moscow, Russia on May 18, 2021. (Photo by Artyom Geodakyan/TASS)

A girl plays in a waterlogged street following a heavy monsoon rainfall in Mumbai on June 9, 2021. (Photo by Sujit Jaiswal/AFP Photo)

Cristine Angelie Garcia (C), 24, rides a jeepney on her way to work at a call centre for the midnight shift in Taguig city, Metro Manila, Philippines October 3, 2016. “Maybe there is another way where people do not need to die”, she said, adding she felt safer walking the streets at night. “I'm on Duterte's side. Maybe he's just misunderstood because he grew up on the streets”. (Photo by Ezra Acayan/Reuters)

Tatiana Osorio, of Orlando, cries while giving blood at the OneBlood blood center near the mass shooting at a nightclub, June 13, 2016, in Orlando, Fla. Osorio lost three friends in the shooting. (Photo by David Goldman/AP Photo)

A sign that reads “No more massacres LGBT” is seen to remember the victims of the Pulse nightclub mass shooting in Orlando, near the U.S. Embassy in Mexico City, Mexico, June 14, 2016. (Photo by Edgard Garrido/Reuters)

Palestinians gather at the beach in Israel's coastal city of Tel Aviv on June 29, 2023 on the second day of the Eid al-Adha Muslim holiday. (Photo by Menahem Kahana/AFP Photo)

Smokes rises from a fire as a Palestinian protester takes cover during clashes with Israeli troops near the Jewish settlement of Beit El, near the West Bank city of Ramallah October 9, 2015. (Photo by Mohamad Torokman/Reuters)

The brutalist war memorials found throughout the former Yugoslavia were weird enough when they were built in the 1960s and 70s. Today, separated by the end of an architectural movement and the disintegration of the country, they seem almost alien. Belgian photographer Jan Kempenaers treats them purely as artistic objects in his book, “Spomenik”, named for the Serb-Croat word for monument. Known for photographing geographical oddities, Kempenaers was captivated by the spomenik after seeing them in an art encyclopedia. After hearing that many had been destroyed or abandoned, he set out to record what was left. (Photo by Jan Kempenaers)