Monumental landscape artwork “Hush” by installation artist Steve Messam hangs in the moors of Teesdale on July 18, 2019 in Barnard Castle, England. The outdoor installation is inspired by the geology, mining history and landscape of the area. It hangs over Bales Hush, a deep gauge in the terrain created when miners flushed the area with water to reveal the geological riches below. Hundreds of metres of recyclable saffron yellow fabric blow in the wind. (Photo by Christopher Thomond/The Guardian)

A model presents creations by Japanese designer Ayano Ichige from the Autumn/Winter 2022 collection for the label “NON TOKYO” during the Tokyo Fashion Week in Tokyo, Japan, 14 March 2022. The presentation of the Autumn/Winter 2022 collections runs from 14 to 19 March. (Photo by Franck Robichon/EPA/EFE)

Naked cyclists wearing masks, ride through the streets of Mexico City during the World Naked Bike Ride day, Saturday, June 11, 2022. (Photo by Eduardo Verdugo/AP Photo)

Doris Pennman adjusts her umbrella as she walks along Mission Beach on January 8, 2005 in San Diego, Califonia. (Photo by Sandy Huffaker/Getty Images)

Tennis star Anna Kournikova of Russia recreates a legendary Marilyn Monroe pose during the filming of the adidas climacool commercial on location in Los Angeles. (Photo by CLIVE BRUNSKILL/Getty Images). 11 Mar. 2002

Aerial view of flower fields near the Keukenhof park, also known as the Garden of Europe, in Lisse April 9, 2014. Keukenhof, employing some 30 gardeners, is considered to be the world's largest flower garden displaying millions of flowers every year. (Photo by Yves Herman/Reuters)

A traffic policewoman shows her ink-stained fingers after casting her ballot at a polling station, during early voting for the parliamentary election in the northern Iraqi province of Dohuk, April 28, 2014. Iraq will be holding its national elections on April 30. (Photo by Ari Jala/Reuters)

The brutalist war memorials found throughout the former Yugoslavia were weird enough when they were built in the 1960s and 70s. Today, separated by the end of an architectural movement and the disintegration of the country, they seem almost alien. Belgian photographer Jan Kempenaers treats them purely as artistic objects in his book, “Spomenik”, named for the Serb-Croat word for monument. Known for photographing geographical oddities, Kempenaers was captivated by the spomenik after seeing them in an art encyclopedia. After hearing that many had been destroyed or abandoned, he set out to record what was left. (Photo by Jan Kempenaers)