Commuters attempt to shelter as they cross London Bridge during wet and windy weather in Central London on November 1, 2023. Yellow weather warnings for wind and rain are in place for parts of England as Storm Ciarán begins to influence weather in the United Kingdom. (Photo by George Cracknell Wright)

Everly Base, six, sees the funny side of a TV carol-singing performance with her classmates in which her father had dared her to cross her eyes while she sang in Yate, Gloucestershire, UK on December 19, 2024. (Photo by Tom Wren/South West News Service)

A portrait of French WWI soldier Edouard Marius Ivaldi is displayed on a tablet, in this illustration picture, alongside his battlefield grave memorial, a wooden cross with a battlefield helmet in Champagne, eastern France, November 3, 2015. (Photo by Charles Platiau/Reuters)

Demonstrators wear masks depicting Brazil's former president Luiz Inacio Lula da Silva (R) and Brazil's President Dilma Rousseff (L) as they take part in a protest calling for the impeachment of Rousseff at Paulista Avenue in Sao Paulo, Brazil, December 13, 2015. (Photo by Nacho Doce/Reuters)

Devotees wear costumes made of banana leaves as they head to church to attend mass as part of a religious festival, in honor of St. John the Baptist, also known locally as the “mud people” festival, in Aliaga town, Nueva Ecija province, north of Manila, on June 24, 2017. Farmers coated in mud paraded in Philippine villages on June 24 to mark one of the Catholic nation's most colourful religious festivals. (Photo by Noel Celis/AFP Photo)

People stand in the middle of the graves and in front of giant kites in the cemetery of Santiago Sacatepequez, Guatemala, November 1, 2015. Dating back 116 years, the tradition of flying kites in the cemetery of of Santiago Sacatepequez, integrates the Catholic feast of All Saints with ancient Mayan practices of honouring the dead. It is believed that the kites connect the living and the dead during the all saints day celebration. (Photo by Jorge Dan Lopez/Reuters)

Hundreds of Nigerians celebrate at an intersection in the flashpoint northern city of Kaduna on March 31, 2015 the victory of main opposition All Progressives Congress (APC) presidential candidate Mohammadu Buhari. (Photo by Nichole Sobecki/AFP Photo)

Farhad Moshiri, an Iranian artist working a lot with carpet media using it as a mean to joke about consumerism culture, was one of the participants of the group show Love Me Love Me Not of Yarat! pavilion curate by Dina Nasser-Khadivi (read on her curating Lalla Essaydi's Harem here) at Venice 2013 Art Biennial. The installation consists of more than 500 carpets depicting celebrities-covered magazines from all over the world.