A vendor arranges dates on his cart at a market in Rawalpindi on June 1, 2023. (Photo by Farooq Naeem/AFP Photo)

People wade past stranded trucks on a flooded street in Sunamganj on June 21, 2022. Floods are a regular menace to millions of people in low-lying Bangladesh, but experts say climate change is increasing their frequency, ferocity and unpredictability. (Photo by Mamun Hossain/AFP Photo)

Alaa, an ambulance driver, feeds cats in Masaken Hanano in Aleppo, September 24, 2014. Alaa buys about $4 of meat everyday to feed about 150 abandoned cats in Masaken Hanano, a neigbourhood in Aleppo that has been abandoned because of shelling from forces loyal to Syria's president Bashar Al-Assad on it. Alaa said that he has been feeding and taking care of the cats for over 2 months. (Photo by Hosam Katan/Reuters)

Some artists want to convey some deep message through their art, while some are simply satisfied with shocking the audience. Roderique Arisiaman is the latter kind. Though his works do not play on the strings of our emotion, they can pique the interest with their flashy and sometimes humorous appearance. Many of his works have a zombie theme, and are surprisingly well done, especially the one where a man pushes his fingers through his cheek and into his eye. If given the chance, Roderique Arisiaman would probably do a great job of designing a poster for some zombie apocalypse movie. (Photo and caption by Roderique Arisiaman)

Dancers pose for a photo as they prepare during Festival Cilung or “Love the Environment” Festival, where boats made from recycled materials, mostly plastic bottles, sail on the Ciliwung River, one of the most polluted rivers in the world, to raise public awareness about river pollution, in Jakarta, Indonesia, on September 28, 2025. (Photo by Willy Kurniawan/Reuters)

A fisherwoman prepares a meal in her home in a fishing village in Virar, about 40 km (25 miles) from Mumbai December 27, 2005. (Photo by Adeel Halim/Reuters)

“Asaro from the Eastern Highlands”. The mudmen could not cover their faces with mud because the people of Papua New Guinea thought that the mud from the Asaro river was poisonous. So instead of covering their faces with this alleged poison, they made masks from pebbles that they heated and water from the waterfall, with unusual designs such as long or very short ears either going down to the chin or sticking up at the top, long joined eyebrows attached to the top of the ears, horns and sideways mouths. (Photo and caption by Jimmy Nelson)

In this Monday, March 18, 2019 photo, a street artist performs in Caracas, Venezuela. Venezuelans are facing a severe economic and political crisis as President Nicolas Maduro has remained in power despite heavy pressure from the United States and other countries arrayed against him, managing to retain the loyalty of most of Venezuela's military leaders. (Photo by Natacha Pisarenko/AP Photo)