Buzludzha is a historical peak in the Central Stara Planina, Bulgaria and is 1441 metres high. In 1868 it was the place of the final battle between Bulgarian rebels led by Hadji Dimitar and Stefan Karadzha and the Ottoman Empire. The Buzludzha Monument on the peak was built by the Bulgarian communist regime to commemorate the events in 1891 when the socialists led by Dimitar Blagoev assembled secretly in the area to form an organised socialist movement with the founding of the Bulgarian Social Democratic Party, a fore-runner of the Bulgarian Communist Party. The Monument was opened in 1981. No longer maintained by the Bulgarian government, it has fallen into disuse. Buzludzha is reached by a 12 km side road from the Shipka Pass.

Italian pencil artist Marco Mazzoni‘s work goes far beyond technical perfection. His representation of historical healing women is enigmatic and sublime. Often leaving the eyes blank or covered with an abundance of birds, butterflies and flowers, he gives the impression of a deeper inward focused sight, as well as obscuring the identity of the individual. Many female healers in the past – both medicine woman and midwives – were brutally persecuted by religion, some even burnt as witches… Mazzoni’s work captures their deep connection with nature and their innate power and femininity with delicacy and beautiful detail.

“Fernando Botero Angulo (born April 19, 1932) is a Colombian figurative artist. His works feature a figurative style, called by some “Boterismo”, which gives them an unmistakable identity. Botero depicts women, men, daily life, historical events and characters, milestones of art, still-life, animals and the natural world in general, with exaggerated and disproportionate volumetry, accompanied by fine details of scathing criticism, irony, humor, and ingenuity”. – Wikipedia

Photo: The Duke and Duchess of Devonshire view “Dancers” by artist Fernando Botero in the gardens of their home Chatsworth House on September 10, 2009, Chatsworth, England. (Photo by Christopher Furlong/Getty Images)

Women with their faces painted as various Hindu deities take part in a celebration a day after the first democratic constitution was announced in Kathmandu, Nepal September 21, 2015. Nepal adopted its first full democratic constitution on Sunday, a historic step for a nation that has witnessed war, a palace massacre and devastating earthquakes since a campaign to create a modern state began more than 65 years ago. (Photo by Navesh Chitrakar/Reuters)

National maritime charity, the Shipwrecked Mariners’ Society, has revealed results of its seventh annual photography competition, showcasing images relating to all aspects of the UK’s historic relationship with the sea. Here: “Sunrise Through The Wave”, by John Alderson, which has won the People category. (Photo by John Alderson/PA Wire Press Association)

The head of a mountain ram is attached to a wooden column at the site used for shamans' rituals in the Aldyn Bulak area on the bank of the Yenisei River during sunset outside the village of Elegest, Tuva region, Southern Siberia, Russia, October 7, 2015. The region is inhabited by Tuvans, historically cattle-herding nomads, who nowadays practise two main confessions – Buddhism and Shamanism. (Photo by Ilya Naymushin/Reuters)

The Clementinum (Klementinum in Czech) is a historic complex of buildings in Prague. Until recently the complex hosted the National, University and Technical libraries, the City Library also being located nearby on Mariánské Náměstí. The Technical library and the Municipal library have moved to the Prague National Technical Library at Technická 6 since 2009. It is currently in use as the National Library of the Czech Republic. In 2005, the Czech National Library received the UNESCO Jikji prize (Memory of the World).

Italian pencil artist Marco Mazzoni‘s work goes far beyond technical perfection. His representation of historical healing women is enigmatic and sublime. Often leaving the eyes blank or covered with an abundance of birds, butterflies and flowers, he gives the impression of a deeper inward focused sight, as well as obscuring the identity of the individual. Many female healers in the past – both medicine woman and midwives – were brutally persecuted by religion, some even burnt as witches… Mazzoni’s work captures their deep connection with nature and their innate power and femininity with delicacy and beautiful detail.