Karim Nafatni is an Airline Captain and photography enthusiast. He seriously got into the Art when he got his first DSLR 3 years ago. Addicted to height and fan of architecture,he climbs the highest skyscrapers of Dubai to take his pictures ,sometimes more than 300 meters above ground. As the top of the biggest buildings in the world is not high enough for him,he carries his camera with him during work to document his daily routine in"his Office" and shoots from his flight deck.

Dutch artist Suzan Drummen‘s large-scale floor installations are mesmerizing and complex circular patterns made out of mirrors and brightly colored glass. The fractal-like arrangements feature ornate and elaborate circles growing exponentially out of each other and vibrant rings of spiraling colors winding into the surface of the floor. They are composed of crystals, chromed metal, precious stones, mirrors and optical glass. A sensory experience, and visually stimulating, the glittering installations play with the architecture of the space — climbing up walls and sweeping across the surfaces — examining the idea of illusion and optical effects.

Shamekh Bluwi, an architect and fashion illustrator based in Amman, Jordan, creates beautiful paper cut-outs with women whose dresses become whatever you hold them up against. Besides being beautiful fashion drawings, they also seem like an excellent tool for coming up with inspiration for new fashion designs; simply hold up one of his drawings and see what sort of architectural lines, repeating patterns or images the women in his elegant cutouts would look good in.

Nurse's Home, North Brother Island, New York. Photographer Christopher Payne specializes in the documentation of America’s vanishing architecture and industrial landscape. His new book, North Brother Island: The Last Unknown Place in New York City, explores an uninhabited island of ruins in the East River of New York City. (Photo by Christopher Payne)

The galactic core of the milky way occupied by two small wooden boats on July 2, 2014, in Isle of Wight, UK. The Milky Way shines in mesmerizing colourful patterns above the Isle of Wight in stunning photographs. Chad Powell used a DSLR camera to capture images of the spectacular constellation above the familiar beach scenes of England's largest island. The 22-year-old, who shot the pictures over a year of stargazing on the island, often stayed up until dawn to catch the most dramatic sky-scapes. Chad, a graphic designer from Ventnor, Isle of Wight, used foregrounds of abandoned theme parks, harbors and lighthouses against the illuminated sky. Minor adjustments were made to bring out the contrast and whites in the images. (Photo by Chad Powell/Barcroft Media)

This breathtaking natural light show illuminating waters off the British coast looks like something out of hit film “Close Encounters of the Third Kind”. Photographer Adrian Campfield was out having dinner at a restaurant at Beachy Head, East Sussex, when the rays suddenly appeared. The 59-year-old and his wife Louise rushed outside onto the 535ft high cliffs to watch the spectacle. Mr Campfield, a former graphic designer, from Bexley, Kent, said the light was “changing all the time” for more than 15 minutes. (Photo by Adrian Campfield/Solent/Visual Press Agency)

Lovely is the correct work to describe this beautiful paintings series by David Renshaw from “Ted n’ Doris – A Northern Romance”. “Deep down I always knew what I wanted to do for a living and in my school years I remember my father teaching me some basic elements of drawing and I dreamed of one day becoming an artist. Being only really interested in art I left school and studied Graphic Design, after which I started work at a local art gallery as a picture framer. I continued to paint alongside my job, mainly developing techniques and ideas and in 2005 decided it was time to follow my dreams and dedicate myself to painting full time. I always try to make my work feel atmospheric, and I like to pay particular attention to sky and cloud formations as I consider this element of my work to be extremely important to the mood of the finished painting, whether it be a dramatic sunset or a misty moonlit night.”