Ahead of May Day, AFP' s video and photo teams spoke to men and women around the globe whose jobs are becoming increasingly rare, particularly as technology transforms societies. Here: Mohammad Ashgar, 65, an Indian rickshaw puller, poses for a photograph next to his rickshaw in Kolkata on April 21, 2018. (Photo by Dibyangshu Sarkar/AFP Photo)

Spectators using virtual reality glasses at the “Los Ultimos Dias De Pompeia” Exhibition at Matadero on September 06, 2023 in Madrid, Spain. (Photo by Borja B. Hojas/Getty Images)

French photographer Bettina Rheims poses next to her work, two days before the opening of her exhibition “Pourquoi m'as-tu abandonnée ?” (Why did you abandon me?) at the Museum of Photography Charles Negre, in Nice on June 13, 2024. (Photo by Valery Hache/AFP Photo)

A Dallas Cowboys cheerleader performs between plays during game featuring the Houston Texans and the Dallas Cowboys on November 18, 2024 at AT&T Stadium in Arlington, TX. The Texans won 34-10 in the Cowboys’ fifth straight defeat. (Photo by Kevin Jairaj-Imagn/Reuters)

While communism, collectivism, worms, dry rot and casual looting failed to destroy the majestic wooden churches of Russia, it may be ordinary neglect that finally does them in. Dwindled now to several hundred remaining examples, these glories of vernacular architecture lie scattered amid the vastness of the world’s largest country. Just over a decade ago, Richard Davies, a British architectural photographer, struck out on a mission to record the fragile and poetic structures. Austerely beautiful and haunting, “Wooden Churches: Traveling in the Russian North” (White Sea Publishing; $132) is the result. Covering thousands of miles, Mr. Davies described how he and the writer Matilda Moreton tracked down the survivors from among the thousands of onion-domed structures built after Prince Vladimir converted to Christianity in 988.

Shot by Bert Hardy, the black and white images show prisoners carrying out remedial tasks such as untying knots in post office string and sewing mail bags. Other intriguing shots show lags doing their daily one hour outdoor exercise, being frisked for contraband items by officers during a routine “rub down” and serving evening meals. Strangeways was designed by Alfred Waterhouse and cost £170,000 ($207,910) to build. The prison, famed for its prominent ventilation tower and imposing design, has become a local landmark. Here: A prison officer frisking prisoners during the “rub-down” at Strangeways Prison in Manchester, UK on November 1948. (Photo by Bert Hardy/Picture Post/Hulton Archive/Getty Images)

“Krampus is a beast-like creature from the folklore of Alpine countries thought to punish children during the Yule season who had misbehaved, in contrast with Saint Nicholas, who rewards well-behaved ones with gifts. Krampus is said to capture particularly naughty children in his sack and carry them away to his lair”. – Wikipedia. Photo: A participant dressed as the Krampus creature pulls a barrel of fire past onlookers during his search for delinquent children in Neustift im Stubaital. (Photo by Sean Gallup)

An artist has gone to incredible lengths to paint several iconic album covers on her own face. London-based artist Natalie Sharp wanted to celebrate Record Store Day in a unique way, and asked her Facebook friends for suggestions about which album covers to paint. She was overwhelmed with responses, and as a result painted 40 different album covers on her face, including Nirvana's “Nevermind”, King Crimson's “The Court of the Crimson King”, and “Melt” by Peter Gabriel. Here: King Crimson album. “In fact, I barely used by brushes for King Crimson; I would just keep smudging it with my fingers”. (Photo by Natalie Sharp/Caters News)