A Hindu holy man, or sadhu, smokes marijuana on a chillum (pipe) at the premises of Pashupatinath Temple during the Shivaratri festival in Kathmandu February 27, 2014. Hindu holy men from Nepal and India come to this temple to take part in the Shivaratri festival. Celebrated by Hindu devotees all over the world, Shivaratri is dedicated to Lord Shiva, and holy men mark the occasion by praying, smoking marijuana or smearing their bodies with ashes. (Photo by Navesh Chitrakar/Reuters)

Actors and figurants participate in the staging of the Live Stations of the Cross and Procession of the Dead Lord during the celebration of the easter in the Medieval Village of Ourem, Portugal, 15 April 2022. The Live Stations of the Cross is dramatized by about 100 actors and extras from the local community, besides the requalification of the Castle and Palace of the Counts of Ourem that will provide a new setting, a new protagonist will embody Jesus Christ along the 14 stations of the Stations of the Cross. (Photo by Paulo Cunha/EPA/EFE)

A disabled child is buried up to his neck in sand during the partial solar eclipse in belief its rays can heal, in Karachi, Pakistan, 25 October 202. A partial solar eclipse occurs when a portion of the Earth is engulfed by the shadow (penumbra) cast by the Moon as it passes between our planet and the Sun in imperfect alignment. During this eclipse - the first of the decade – the Moon appears to cover the Sun, leaving the Sun's halo as a visible rim forming an annulus, popularly known as the 'ring of fire. (Photo by Shahzaib Akber/EPA/EFE/Rex Features/Shutterstock)

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Based on the layout of Helm’s Deep featured in Peter Jackson’s film adaptation, this 150,000 brick set piece is astounding. The artists, who go by the names Rich-K and Big J, apparently, nail the atmosphere and scale of the conflict of one Lord of the Rings most iconic scenes. At the time these photos were taken, the model was about 90% complete, with an estimated four months worth of work. The time, money and personal investment that must have gone into this project is impressive.

The Spirit of Ecstasy, also called “Emily”, “Silver Lady” or “Flying Lady,” was designed by English sculptor Charles Robinson Sykes and carries with her a story about a secret passion between John Walter Edward Douglas-Scott-Montagu (second Lord Montagu of Beaulieu after 1905, a pioneer of the automobile movement, and editor of The Car Illustrated magazine) and his love and the model for the emblem, his secretary Eleanor Velasco Thornton. Photo: Worker Ronald Little displays a finished “Spirit of Ecstasy”. (Photo by Stefan Wermuth/Reuters)

Hindu devotees, their bodies pierced with lemon and paladai, or bowl with a spout mainly used to feed milk to infants, wait to participate in a procession to mark Shivratri, or the night of Shiva, in Chennai, India, Wednesday, February 18, 2015. Such processions are held as an offering and show of devotion by devotees on the day dedicated to the worship of Lord Shiva, the Hindu god of destruction. (Photo by Arun Sankar K./AP Photo)

A burning flame and a broad expanse of water are among the few things which do not tire us with their beauty. However, while we have many sources of water around us, it is quite hard to marvel at a burning flame on a daily basis. Melissa Crisp is one of the few people who were able to subdue the element of fire. She is the person who is behind the design of the uniquely-shaped fire pits, which feature mystifying themes, including a pair of lovers, a fire on the rodeo arena, a forest fire, a fiery flower, and a number of others. Each of the fire pits entrances you, and it almost seems like the characters are alive, as the hot fire burns deep within the spheres, casting dancing shadows all around. (Photo by Melissa Crisp)

“Eye of a toad”. Animal Portraits, Łukasz Bożycki, Poland. Early spring sees a pond near Łukasz’s home city of Warsaw, Poland, full of mating frogs and a few toads. On this March day, Łukasz shared the pond with them for an evening, sitting in the icy water in his chest-high waders, keeping as still as possible, despite the numbing cold, so that the amphibians could get used to him. “I wanted to find a fresh way of portraying the amphibians”, he says, “at water level”. Using a telephoto lens, he focused on one lone toad and waited for the sun to dip almost below the horizon before pressing the shutter, using flash to bring out the details in the shadow. His prize was “the glorious pool of sunset colour” and fiery glow of the toad’s eye. Nikon D80 + 70-300mm f4.5-5.6 lens + extension tube; 1/125 sec at f9 (-2.3 e/v); ISO 100; built-in flash. (Photo by Łukasz Bożycki)