A five meters high sculpture “Pentateuque” created by Contemporary French artist Fabien Merelle, is displayed in Central, business district of Hong Kong, Tuesday, May 21, 2013. The artwork brings to real life the fantastical and seemingly impossible act of an average man balancing a gigantic elephant. The elephant and the man are modeled on one at the Singapore Zoo and on the artist himself. (Photo by Kin Cheung/AP Photo)

A policewoman tries to stop an anti-Occupy protester from breaking a police cordon to charge at pro-democracy protesters during a confrontation in Hong Kong October 13, 2014. Hundreds of unidentified people, some wearing masks, tried to break down protest barriers in the heart of Hong Kong's business district on Monday, scuffling with protesters who have occupied the streets for the past two weeks. (Photo by Bobby Yip/Reuters)

A Femen activist is led away by French police in Henin-beaumont, northern France, Sunday, May 7, 2017. Voters across France are choosing a new president in an unusually tense and important election that could decide Europe's future, making a stark choice between pro-business progressive candidate Emmanuel Macron and far-right populist Marine Le Pen. (Photo by Francois Mori/AP Photo)

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A dog is seen at the entrance of a house in the flooded residential area of Villeneuve-Saint-Georges, near Paris, France January 26, 2018. The Paris region has been deeply affected by the floods that hit the country over the past week, but in Paris, it was business as usual. (Photo by Christian Hartmann/Reuters)

Cathryn Shrimpton, 4, prepares to play the Angle Gabriel during a traditional Christmas Nativity on December 18, 2011, at St Mary's Church, Myton Village, England. In schools and churches around the country children busy preparing and performing in the telling of the traditional nativity story. (Photo by Bethany Clarke/Getty Images)

A single object, a single shape, a single colour,' is how Anish Kapoor summed up Leviathan, his response to the Monumenta challenge this year. Radically departing from Christian Boltanski’s busy collage-like approach in Personnes for Monumenta 2010, Kapoor has filled the 13,500 square metre space with a single cavernous entity which surges through the Grand Palais roof.