Women wearing prosthetic legs participate in a public photo session at the Hasselblad and Profoto booth, during the CP+ camera and imaging equipment trade fair in Yokohama south of Tokyo, February 14, 2015. Japanese prosthetist Fumio Usui inspired the event after collaborating with photographer Takao Ochi in the book project “Amputee Venus” that portrays 11 Japanese women with artificial legs, local media reported. (Photo by Thomas Peter/Reuters)

A model presents a creation by designers Humberto Leon and Carol Lim as part of their Autumn/Winter 2015/2016 women's ready-to-wear collection for Japanese fashion house Kenzo during Paris Fashion Week March 8, 2015. (Photo by Gonzalo Fuentes/Reuters)

A Japanese girl participates in a calligraphy contest to the celebrate the New Year in Tokyo January 5, 2015. Over 3,000 calligraphers, having qualified in country wide competitions throughout Japan, took part in the annual contest to celebrate the new year. (Photo by Issei Kato/Reuters)

Japanese professional wrestler Hiromu Takahashi attends a promotional event of a dinosaur show “Dino Safari Gigant” in Tokyo on Wednesday, August 2, 2023. A dinosaur show using dinosaur shaped mrchanical suits will be performed in Yokohama from August 10. (Photo by Yoshio Tsunoda/AFLO/Rex Features/Shutterstock)

A woman wearing a traditional Hanbok dress visits the Gyeongbokgung Palace grounds in Seoul on October 23, 2023. A woldae terrace for public rituals and ceremonies in front of Gyeongbok Palace’s Gwanghwamun gate was restored and opened to the public earlier this month, after being removed in 1923, during the 1910-45 Japanese colonial period. (Photo by Anthony Wallace/AFP Photo)

“Woman with Umbrella in Rain” by Raimund von Stillfried. Artist: Kusakabe Kimbei (Japanese, 1841–1934), 1870s. Commercial photography studios in Meiji-era Japan were renowned for the subtlety and refinement of their coloring techniques. This hand-tinted image of a young woman caught in a heavy rainstorm achieved its naturalistic effect by knitting together multiple strands of artifice: the greenery in the foreground was a studio prop; the flaps of the kimono were suspended by thin wires to create the impression of a strong wind; and long, diagonal marks were made on the negative to suggest streaks of rain. (Photo courtesy of The Metropolitan Museum of Art)

Kenichi Ito runs on his arms and legs on a race course on his way to setting the Guinness World Record fastest time for the 100-meter dash on all fours at Komazawa Olympic Park Stadium in Tokyo Thursday, November 14, 2013. The 30-year-old Japanese finished in 16.87 seconds Thursday, shaving more than half a second off his 2012 run of 17.47. (Photo by Shizuo Kambayashi/AP Photo)

A woman walks behind the installation “Wandering boy is forever attractive” (1985) by Tetsumi Kudo during the press preview at the exhibition “Tetsumi Kudo – Retrospective” in the Fridericianum in Kassel, Germany, Friday, September 23, 2016. The exhibition offers an in-depth, comprehensive view of works by the Japanese artist Kudo. It starts on Sept. 25, 2016 and lasts until Jan. 1, 2017. (Photo by Jens Meyer/AP Photo)