Gloria Grahame in state of undress in a scene from the film “Naked Alibi”, 1954. (Photo by Universal/Getty Images)

A group of 1000 customers receive a facial massage at a sports centre in Jinan, Shandong province, China, May 4, 2015. A group of 1000 women were given a 30 minutes facial beauty treatment together on Monday that achieved a Guinness record for the largest group of people having beauty treatment in the same location, according to local media. (Photo by Reuters/Stringer)

A Christian pilgrim prays during her visit to the baptismal site known as Qasr el-Yahud on the banks of the Jordan River near the West Bank city of Jericho April 9, 2015. A day ahead of Orthodox Good Friday, the Easter period draws many Christian tourists to visit well-known religious sites, including Qasr el-Yahud, where it is believed John the Baptist baptised Jesus. (Photo by Amir Cohen/Reuters)

Thailand's Lac Somruedee Pruepruk balances the ball during the sepak takraw women's match against Malaysia at the 31st Southeast Asian Games (SEA Games) in Hanoi on May 17, 2022. (Photo by Ye Aung Thu/AFP Photo)

Two costumed reveler seen at the City center where normally thousands of revelers dressed in carnival costumes would celebrate the Rose Monday parade on the streets in Mainz, Germany, 15 February 2021. The Rose Monday Parade has been cancelled due to the coronavirus Covid-19 pandemic. (Photo by Ronald Wittek/EPA/EFE)

Participants take part in a high-heel race at a Gay Pride party in the central neighborhood of Chueca in Madrid on July 3, 2014. (Photo by Gerard Julien/AFP Photo)

Bukayo Saka of England scores their first goal before it is disallowed during the UEFA EURO 2024 group stage match between England and Slovenia at Cologne Stadium on June 25, 2024 in Cologne, Germany. (Photo by Wolfgang Rattay/Reuters)

Here Goes River captures Japanese photographer Aya Fujioka’s home town of Hiroshima in 2017. The award-winning series documents the quiet, everyday spaces of the city – mundane, almost incidental scenes that are suffused with the invisible weight of the past. (Photo by Aya Fujioka)