Public Space series, 2015. This series by Morteza Niknahad and Behnam Zakeri tends toward cinema, taking an almost cartoonish view of modern life in Iran. This work was inspired by the social life of dolphins. (Photo by Morteza Niknahad and Behnam Zakeri/The Guardian)

Russian marines attached to the anti- submarine ship Admiral Tributs show their skills during a demonstration at a park in Manila on January 5, 2017, as part of their five- day port- of- call activities in the country' s capital. (Photo by Ted Aljibe/AFP Photo)

A blurred panaroma of Roemerberg historic center is reflected in a soap bubble in Frankfurt am Main, Germany, 09 July 2015. (Photo by Frank Rumpenhorst/EPA)

Revellers brave the chill and jump into the water at Carnlough, Co. Antrim, Northern Ireland on January 1, 2024. (Photo by Arthur Allison/Pacemaker)

Brave photographer Masa Ushioda captured the shots of this wild gator in vast marsh land in the Everglades National Park, in Florida, USA. He said: “Bright sunlight and blue sky were critical elements in this picture – in addition to getting a wild 10-foot alligator in the middle of the viewfinder with a perfect angle”.

Artist Vik Muniz is known for his gigantic composite installations and sculptures created from thousands of individual objects. In this new collaboration with artist and MIT researcher Marcelo Coelho, Muniz takes the opposite approach and explores the microscopic with a new series of sandcastles etched onto individual grains of sand.

“Do-Ho Suh addresses issues of identity, memory, and relationships. Son of the famous Korean ink-painter Suh Se-Ok, Do-Ho Suh is a leading figure in the transnational avant-garde generation of Korean artists who came of age in the late 1990s, and his work eloquently represents a dual consciousness between East and West”.

Photo: “Karma” by Do-Ho Suh. Sydney and Walda Besthoff Sculpture Garden, New Orleans Museum of Art, New Orleans, LA. (Photo by Alan Teo)

“In honor of Friday’s World Press Freedom Day, the non-governmental organization Reporters sans frontières (Reporters Without Borders) launched a campaign depicting world-famous dictators giving everyone the finger, or the international equivalent thereof”. – Kay Steiger. (Photo by Vincent Bousserez/Reporters Without Borders)