A publican serves a glass of stout to a donkey in the East End of London, 1960s. (Photo by Steve Lewis/Getty Images)

Getting her tongue pierced was “exciting and scary” says a teen who succumbed to pressure from her best friend in Austin, Texas, February 22, 2008. This image is featured in National Geographic's exhibition “Women of Vision: National Geographic Photographers on Assignment”, on view at the Palm Beach Photographic Centre, Jan. 22 - Mar. 22, 2015. (Photo by Kitra Cahana/National Geographic)

For France, the trauma of the Algerian War (1954-1962) was not unlike the experience of the Vietnam War for the United States. But, unlike the conflict in Vietnam, few photographic documents exist from that period in Algeria: it is as if the French responded with collective amnesia. Marc Garanger’s Algerian Women is one of the few photographic essays dedicated to that painful period... Photo: A 1960 photograph of an Algerian woman in a French regroupment village. (Photo by Marc Garanger)

“Wer in der Natur, der Kunst oder dem Menschen Gott nicht finden kann, der findet ihn nirgendwo” (Who cannot find God in the nature, the art or the person, that nowhere finds him). Photo: Hunstiger Hohlweg. (Photo by Norbert)

This barking set of images takes the saying “dogs look like their owners” to the ultimate conclusion. Photographer Sebastian Magnani, 28, has cleverly spliced the features of four-legged friends with the head and shoulders of their owners. In a series called “Underdogs”, the Swiss photographer shot the owners and their respective pets in the same portrait style. Then he used expert photo-manipulation techniques to seamlessly transplant the canine faces onto the human bodies. (Photo by Sebastian Magnani)

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