Artist Jesús Prudencio loves cars and movies, if you couldn’t tell by his beautiful series of movie posters, titled Cars and Films, that focuses on an iconic automobile from each movie. From Back to the Future to Pulp Fiction, The Shining to The Italian Job, Prudencio’s colorfully minimal illustrations are a delight for any fan of cars and/or films.

Born in Russia where he was educated in fine arts from a young age, Rinat Shingareev took an early interest in the subject, for which he showed an affinity and talent. Later moving to Italy to attend the Fine Arts Academy he has been described by Italian Maxim as “one of the most talented artists in the world”. Now based in London Shingareev continues to paint vibrant and thought provoking pieces.

These images of abandoned hospitals across Italy are not for the faint-hearted. Both of the hospitals featured in the photographs are Italian asylums – known as manicomios – that were used as mental hospitals. Shut down by law in 1978, the derelict buildings are visibly overgrown and make for very eerie portraits. Photographer Thomas Windisch, 32, of Graz, Austria, said the asylums, located in top-secret spots, can get very creepy when there aren't many people there with him. Here: a hallway within an abandoned hospital. (Photo by Thomas Windisch/Caters News)

“Dropping” is the work of Italian graphic artist Alberto Seveso. Seveso captured these amazing images or “fluid sculpture” with the use of high-speed photography while mixing ink with oil, as a tribute to the dripping technique of Jackson Pollock. Seveso works from his home town of Portoscuso, Italy creating cutting edge imagery for ad campaigns for companies such as Adobe, Sony, ESPN, Nikon and more. Sevese says of his work: “I don't consider myself as an artist, I'm just someone playing with software and creativity”... (Photo by Alberto Seveso)

The three peaks of Lavaredo, or the “Tre Cime di Lavaredo” in Italian, are three distinctive battlement-like peaks, in the Sexten Dolomites of northeastern Italy. They are probably one of the best-known mountain groups in the Alps, and one of the most photographed in Italy. The three peaks are named, from east to west, "little peak" (Cima Piccola), "big peak" (Cima Grande) and "western peak" (Cima Ovest). The Cima Grande has an elevation of 2,999 metres (9,839 ft). It stands between the Cima Piccola, at 2,857 metres (9,373 ft), and the Cima Ovest, at 2,973 metres (9,754 ft).

Italian pencil artist Marco Mazzoni‘s work goes far beyond technical perfection. His representation of historical healing women is enigmatic and sublime. Often leaving the eyes blank or covered with an abundance of birds, butterflies and flowers, he gives the impression of a deeper inward focused sight, as well as obscuring the identity of the individual. Many female healers in the past – both medicine woman and midwives – were brutally persecuted by religion, some even burnt as witches… Mazzoni’s work captures their deep connection with nature and their innate power and femininity with delicacy and beautiful detail.

“Willy Rizzo was an Italian photographer and designer. In late 1948, Willy began an illustrious twenty-year career with Paris Match that would have him photograph some of the greatest names of the golden age of photojournalism. Married later to actress Elsa Martinelli, Rizzo enjoyed unparalleled access to the stars; Brigitte Bardot, Sophia Loren, Marilyn Monroe, Vivien Leigh, Audrey Hepburn, Jane Fonda, Gene Kelly, Fred Astaire, Salvador Dalí and Pablo Picasso all found themselves in front of Rizzo’s lens”. – Wikipedia. Photo: Jane Fonda, Studio Willy Rizzo, Paris, 1966. (Photo by Willy Rizzo)

Lucha libre is Mexico’s version of what in the United States refer to as pro wrestling. Its dates to 1863, when a Mexican wrestler named Enrique Ugartechea developed a form of “freestyle” wrestling that was based on Greco-Roman wrestling. Lucha libre began to soar in popularity in Mexico after two Italian businessmen started promoting fights in the early 1900s. It has since become popular around the globe. Here: Juliza meets with colleagues at her home. (Photo by Diana Bagnoli/The Washington Post)