A photo taken on July 22, 2017 shows beach- goers dancing at the West Sea Barrage beach outside the coastal city of Nampo, southwest of Pyongyang. The West Sea Barrage beach features as a stopping point for foreign tourists, and is a destination for North Korean work groups from the neighbouring area. The beach lies at the end of an eight- kilometre- long barrage that separates the sea from the Taedong River, which runs through Pyongyang. (Photo by Ed Jones/AFP Photo)

“Snailpimp” is a project by artist Stefan Siverud, who is having fun decorating living snails with the most varied designs, from the McDonald’s logo to the miniature lighthouse through Pac-Man, Ikea and Adidas. A funny and interesting project, achieved with non-toxic paints, which of course raises the question of the impact on these living animals. If some people ironize that these highly visible snails are less likely to be inadvertently stepped on by people, others point out that they are more easily spotted by predators… A project in line with the Inner City Snail artist Slinkachu.

A man wearing an armor attends a reenactment of the Battle of Agincourt, in Agincourt, northern France, Saturday, July 25, 2015. The French are hosting a reenactment of the clash with England this weekend. More than 800 people in Medieval garb are gathering at the site to commemorate the battle, which was a turning point in the Hundred Years' War. (Photo by Thibault Camus/AP Photo)

A Turkana tribeswoman reacts after an accidental fire of a shelter in Turkana settlement in Ilemi Triangle, Kenya, July 15, 2019. The Ilemi Triangle, a disputed sliver of land along the border with Ethiopia and South Sudan, is the northernmost tip of Turkana, Kenya's poorest county. A series of deadly clashes between the Turkana community and other ethnic groups that they said had crossed from South Sudan have put people on edge, to the point of posting lookouts. (Photo by Goran Tomasevic/Reuters)

Two brave contestants take part in the World Gravy Wrestling Championships at the Rose 'n Bowl in Stacksteads, Lancashire, England on August 27 2018. Contestants must wrestle in the gravy for 2 minutes, points are scored for fancy dress, comedy effect, entertainment and wrestling ability. The event is held to raise funds for the East Lancashire Hospice and competitors nominated charities. (Photo by The Mercury Press)

“Guns have a massive amount of power associated with them. They are designed to kill. We decided to photograph portraits of them in a similar way you might photograph a powerful person. Like powerful people, pistols have this “perfect” quality that we wanted to explore. As we started shooting them, we could see flaws in their design. Metal burring around the barrels, scratches in the metal. This imperfection and detail were very interesting to us; connecting us back to these images as portraits”. – Peter Andrew. (Photo by Peter Andrew/Simon Duffy/Derek Blais)

Split Apple Rock is a geological rock formation in The Tasman Bay off the northern coast of the South Island of New Zealand. Made of granite, it is in the shape of an apple which has been cut in half. It is a popular tourist attraction in the waters of the Tasman Sea approximately 50 metres off the coast between Kaiteriteri and Marahau. The rock sits in shallow water at low tide and is accessible by wading. It is also a point of interest for the many tourist boats and pleasure craft which operate along the shores of the Abel Tasman National Park. The cleft to produce two sides of the 'apple' was a natural occurrence. It is unknown when this happened and therefore the cleaving of the rock has attracted mythological explanations.

The Mano de Desierto is a large-scale sculpture of a hand located in the Atacama Desert in Chile, 75 km to the south of the city of Antofagasta, on the Panamerican Highway. The nearest point of reference is the “Ciudad Empresarial La Negra” (La Negra Business City). The sculpture was constructed by the Chilean sculptor Mario Irarrázabal at an altitude of 1,100 meters above sea level. Irarrázabal used the human figure to express emotions like injustice, loneliness, sorrow and torture. Its exaggerated size is said to emphasize human vulnerability and helplessness. The work has a base of iron and cement, and stands 11 metres (36 ft) tall. Funded by Corporación Pro Antofagasta, a local booster organization, the sculpture was inaugurated on March 28, 1992.