Train attendants attend an etiquette trainning as the May Day holiday approaches on April 26, 2022 in Chongqing, China. (Photo by Su Zhigang/VCG via Getty Images)

Migrants storm into a train at the Keleti train station in Budapest, Hungary, September 3, 2015 as Hungarian police withdrew from the gates after two days of blocking their entry. (Photo by Laszlo Balogh/Reuters)

Iraqi security forces take part in training, as they prepare to fight against militants of the Islamic State, at a training camp on the outskirts of Mosul January 10, 2015. (Photo by Azad Lashkari/Reuters)

Members of the media document a damaged train carriage extracted from a tunnel after the deadly train derailment north of Hualien, Taiwan on April 6, 2021. (Photo by Ann Wang/Reuters)

Serge Huguenin of the Blondeau foundry takes the newly melted bell out of the mould in La Chaux-de-Fonds, Switzerland January 21, 2016. At this year's Summer Olympics in Rio de Janeiro, no matter how elaborate the opening ceremony or how sophisticated the live broadcasts, the final lap of athletics races will be announced the traditional way by ringing an old-fashioned bell. Omega, the official timekeeper of the event, has ordered 21 bells, forged almost entirely by hand by Blondeau's Bell Foundry in the Jura Mountains in Switzerland. Each last-lap bell is branded with the RIO 2016 logo and circled with the words “2016 GAMES OF THE XXXI OLYMPIAD”. (Photo by Denis Balibouse/Reuters)

A migrant worker wearing face masks to help curb the spread of the coronavirus walks up to a pedestrian bridge in Beijing, Sunday, December 6, 2020. Provincial governments across China are placing orders for experimental, domestically made coronavirus vaccines, though health officials have yet to say how well they work or how they may reach the country's 1.4 billion people. (Photo by Andy Wong/AP Photo)

“Over three years I photographed fans outside different concerts. I was fascinated by the different tribes of people that attended them, and how people emulated celebrity to form their identity. As I photographed the project I began to see how the concerts became events for people to come together with surrogate “families”, a chance to relive their youth or try and be part of a scene that happened before they were born” – James Mollison.

Photo: Madonna fans. (Photo by James Mollison)