Loading...
Done
New York City, 1965, by Joel Meyerowitz. “A girl on a Vespa on her way to who knows where, when the light stopped her at the 72nd street crossing near the Dakota, where John Lennon would one day cross paths with his fate. She takes this moment to finesse a fingernail before she resumes her downtown journey, while I, stopping at the same crossing, but on foot, leap into the street to capture this vision of a dream girl before time takes her on her way”. (Photo by Joel Meyerowitz/Courtesy Aperture)

The November 2018 Square Print Sale, presented by Magnum Photos and Aperture, brings together over 100 images to explore perspectives on transition and transformation in photography. Here: New York City, 1965, by Joel Meyerowitz. “A girl on a Vespa on her way to who knows where, when the light stopped her at the 72nd street crossing near the Dakota, where John Lennon would one day cross paths with his fate. She takes this moment to finesse a fingernail before she resumes her downtown journey, while I, stopping at the same crossing, but on foot, leap into the street to capture this vision of a dream girl before time takes her on her way”. (Photo by Joel Meyerowitz/Courtesy Aperture)
Details
31 Oct 2018 00:05:00
In this January 4, 2016 photo, the weapon of a rebel fighter for the 36th Front of the Revolutionary Armed Forces of Colombia, or FARC, hangs from a branch serving as a makeshift clothesline, near a rebel camp, in Antioquia state, in the northwest Andes of Colombia. “We’ll lay aside our weapons, like the accord says, but never hand them over”, says Juan Pablo, a commander of the 36th Front. (Photo by Rodrigo Abd/AP Photo)

In this January 4, 2016 photo, the weapon of a rebel fighter for the 36th Front of the Revolutionary Armed Forces of Colombia, or FARC, hangs from a branch serving as a makeshift clothesline, near a rebel camp, in Antioquia state, in the northwest Andes of Colombia. “We’ll lay aside our weapons, like the accord says, but never hand them over”, says Juan Pablo, a commander of the 36th Front. (Photo by Rodrigo Abd/AP Photo)
Details
22 Jan 2016 10:45:00
“At the height of the Korean war, I was moving across the front lines as a soldier experiencing this tragedy, witnessing countless scenes that enraged me”. Here: Seoul, Korea. (Photo by Han Youngsoo/The Guardian)

Photographer Han Youngsoo captured the ordinary people of Korea as the country emerged from war into an age of prosperity. Han Youngsoo: Photographs of Seoul 1956–63 is at the International Center of Photography (ICP), Jersey City, New Jersey, until June 9, 2017. Here: Seoul, Korea. (Photo by Han Youngsoo/The Guardian)
Details
01 Mar 2017 00:05:00
A Rohingya refugee girl named Rufia Begum, aged 9, poses for a photograph as she wears thanaka paste at Balukhali camp in Cox's Bazaar, Bangladesh, March 31, 2018. (Photo by Clodagh Kilcoyne/Reuters)

A Rohingya refugee girl named Rufia Begum, aged 9, poses for a photograph as she wears thanaka paste at Balukhali camp in Cox's Bazaar, Bangladesh, March 31, 2018. (Photo by Clodagh Kilcoyne/Reuters)
Details
14 Jul 2018 00:05:00
Blizzard in the High Peak, Derbyshire, by John Finney: “After a difficult journey in the snow, I made my way from Mam Tor down onto the Great Ridge. As the clouds got darker, I placed the tripod and camera at just the right angle to avoid snow getting onto the lens, and used a flash gun and a relatively slow shutter speed to highlight the fast motion of the blizzard”. Classic view, adult class – winner. (Photo by John Finney/Landscape Photographer of the Year)

Blizzard in the High Peak, Derbyshire, by John Finney: “After a difficult journey in the snow, I made my way from Mam Tor down onto the Great Ridge. As the clouds got darker, I placed the tripod and camera at just the right angle to avoid snow getting onto the lens, and used a flash gun and a relatively slow shutter speed to highlight the fast motion of the blizzard”. Classic view, adult class – winner. (Photo by John Finney/Landscape Photographer of the Year)
Details
22 Oct 2018 00:01:00
The work entitled “Trip 1, Trip II, Trip III” by April Pine is pictured before dawn at Sculpture By The Sea at Bondi Beach on October 19, 2017 in Sydney, Australia. “Three figures meander their way across the rocks on their journey towards the surf. Each figure independent in their moment whilst paused in motion”. (Photo by Brook Mitchell/Getty Images)

The work entitled “Trip 1, Trip II, Trip III” by April Pine is pictured before dawn at Sculpture By The Sea at Bondi Beach on October 19, 2017 in Sydney, Australia. This year the outdoor exhibition celebrates its 21st birthday with 104 exhibiting artists from Australia and around the world and runs from the 19th October-5th November 2017. (Photo by Brook Mitchell/Getty Images)
Details
21 Oct 2017 07:39:00
In this October 8, 2017, photo, Emily Lynch reacts to hitting her first clay target during a training session for the Trigger Warning Queer & Trans Gun Club in Victor, N.Y. A gay, lesbian and transgender group concerned that extremists have become more emboldened and dangerous have decided to take up arms. The gun club meets once a month to shoot long guns in a field in upstate New York. (Photo by Adrian Kraus/AP Photo)

In this October 8, 2017, photo, Emily Lynch reacts to hitting her first clay target during a training session for the Trigger Warning Queer & Trans Gun Club in Victor, N.Y. A gay, lesbian and transgender group concerned that extremists have become more emboldened and dangerous have decided to take up arms. The gun club meets once a month to shoot long guns in a field in upstate New York. (Photo by Adrian Kraus/AP Photo)
Details
26 Oct 2017 08:07:00
“A very delicate person, beneath the flamboyance”. Jasper, Ladbroke Grove, 1977. “In the 1970s, Australia was rather cut off. I’d always wanted to live abroad, so I moved to Rome and then London. I was an art historian, but started studying photography part-time. I was interested in the demi-monde culture and began mixing in all sorts of circles. Jasper was a rather wonderful character. He was from Sydney, but he was living downstairs from me in Ladbroke Grove, in a flat rented to some gay friends. It was fairly eclectic. Jasper was always playing around with clothes and makeup. If he was looking particularly wonderful, I might get out my lights and take a shot. Or he might put makeup on me. He wasn’t always in drag, but he was permanently in diva mode, dependably louche, funny and naughty. I think all that comes across in the image. He was actually a very delicate person, though, beneath the wit and flamboyance. Jasper floated through London all too briefly. His real name was Peter MacMahon, but to us he was only ever Jasper Havoc, an alter ego he’d created while part of a transvestite troupe called Sylvia and the Synthetics. They were legendary in Sydney gay culture. On this day, we’d been taking some pictures inside and had gone out into the streets to fool around some more. Jasper was wearing a corset and fishnets ensemble, with other bits and pieces, and we joked about him being trashy as he lay in the skip. We just took the shot for ourselves. It wasn’t done with any publication in mind, or anything else. This was way before the internet and people didn’t share images. If you dressed up, it was just for that moment”. (Photo by Jane England)

“A very delicate person, beneath the flamboyance”. Jasper, Ladbroke Grove, 1977. “In the 1970s, Australia was rather cut off. I’d always wanted to live abroad, so I moved to Rome and then London. I was an art historian, but started studying photography part-time. I was interested in the demi-monde culture and began mixing in all sorts of circles. Jasper was a rather wonderful character...”. (Photo by Jane England)
Details
26 Jun 2017 09:04:00