A general view of the Cathedral on the Blood on November 2, 2011 in Yekaterinburg, Russia. Yekaterinburg is one of thirteen cities proposed as a host city for 2018 FIFA World Cup in Russia. (Photo by Harry Engels/Getty Images)

Barneys New York launches Gaga's Workshop with the inflation of the Gaga Spider Balloon at the corner of 23rd and Broadway on November 21, 2011 in New York City. (Photo by Neilson Barnard/Getty Images for Barneys New York)

Kat Von D attends her first solo art show “New American Beauty” at Sephora Antara store on March 1, 2012 in Mexico City, Mexico. (Photo by Victor Chavez/Getty Images For Sephora)

Vietnamese military personnel in traditional dress take part in a parade celebrating the 40th anniversary of the end of the Vietnam War which is also remembered as the fall of Saigon, in Ho Chi Minh City, Vietnam, Thursday, April 30, 2015. (Photo by Dita Alangkara/AP Photo)

“Do-Ho Suh addresses issues of identity, memory, and relationships. Son of the famous Korean ink-painter Suh Se-Ok, Do-Ho Suh is a leading figure in the transnational avant-garde generation of Korean artists who came of age in the late 1990s, and his work eloquently represents a dual consciousness between East and West”.

Photo: “Karma” by Do-Ho Suh. Sydney and Walda Besthoff Sculpture Garden, New Orleans Museum of Art, New Orleans, LA. (Photo by Alan Teo)

Born in Hanoi, 1979, a member of the Young Painter Association of Vietnam, Trang is an emerging young artist whose mind has been engraved with images of the city and the Northern villages. She brings these vivid memories of the villagers and their life to her paintings. She paints scenes of landscapes in thick textural impasto with bright colours of red, orange, yellow, and blue, making the genre of landscape her own. Her paintings depict her passion to showcase the radiance and freshness of the landscapes in Vietnam. For every stroke of brush reflects her burning desire to bring out a world of complications to simple living and a deep appreciation of nature’s blessing and beauty.

Myoung Ho Lee‘s 2007 Tree series is about as peaceful and serene as the scenery itself. In the series, the young South Korean photographer touches upon the subjects of physical isolation and visual confirmation. By placing the tree in front of a stark white background, Lee creates a false separation that plays a delightful game with the mind’s eye.