Attendees wear a cardboard “Facebox” at the 2017 South By Southwest (SXSW) Interactive Festival at the Austin Convention Center in Austin, Texas, U.S., on Monday, March 13, 2017. The SXSW Interactive Festival features a variety of tracks that allow attendees to explore what's next in the worlds of entertainment, culture, and technology. (Photo by David Paul Morris/Bloomberg)

An egret in the second decade of April 2025 cools off in the Florida heat by gular fluttering, rapidly vibrating its throat muscles with an open beak. The mechanism helps to dissipate heat through evaporation. (Photo by Ronen Tivony/ZUMA Press Wire/Alamy Live News)

Is it a leaf? Is it tree bark? No, it’s the Satanic leaf-tailed gecko. Cleverly disguised as a rotting leaf, Madagascar’s camouflage king has red eyes, pointy horns and a taste for night hunting: it’s nature’s most devilish deceiver. The twisted body and veiny skin echo the detail of a dry leaf, which ensures the gecko blends in with its forest home. The mottled tail appears to have sections missing, as though it has withered over time. This mini-monster epitomises survival of the fittest, having adapted gradually to become today’s extraordinary leaf impersonator. (Photo by Thomas Marent/ARDEA)

People and Nature category winner: Why did the sloth cross the road? by Andrew Whitworth (Osa Conservation and University of Glasgow), taken in Osa Peninsula, Costa Rica. “I was driving out from the Osa Peninsula, located on the southern Pacific coast of Costa Rica on a dark, stormy day. This female three-toed sloth (Bradypus variegatus) had luckily just about made it across the road, and the drivers of the Toyota on this occasion had spotted her in good time”. (Photo by Andrew Whitworth/2019 British Ecological Society Photography Competition)

“Natural History” is a series of completely candid single exposure images that merge the living and the dead to create allegorical narratives of our troubled co-existence with nature. Ghost-like reflections of modern visitors viewing wildlife dioramas are juxtaposed against the antique taxidermied subjects housed behind thick glass, their faces molded into permanent expressions of fear, aggression or fleeting passivity. After decades of over-hunting, climate change, poaching and destruction of habitat, many of these long dead diorama specimens now represent endangered or completely extinct species”. – Traer Scott. (Photo by Traer Scott)

Forgotten Guerrero. A female member of the community defence force holds her weapon. Since early 2019, the village has been attacked repeatedly by Los Ardillos cartel, prompting residents to take action. Rincón de Chautla, Guerrero, 10 June 2019. (Photo by Alfredo Bosco/Luz with the support of Le Figaro Magazine, Winner of the 2020 Humanitarian Visa d’or award, International Committee of the Red Cross/International Festival of Photojournalism 2020)

The lava of the Cumbre Vieja volcano reaches the door of a tattoo shop in La Laguna neighborhood, on the Canary Island of La Palma, Spain, December 14, 2021. (Photo by Borja Suarez/Reuters)

Dominique Lynch on Tuesday, February 20, 2024 views Daniel Arsham's Unearthed, Bronze Eroded Melpomene, on display during Daniel Arsham: Relics in the Landscape exhibition, the first UK museum display of work by the highly acclaimed North American, at the Yorkshire Sculpture Park in Wakefield, West Yorkshire. (Photo by Danny Lawson/PA Images via Getty Images)