From a height of three meters, porcelain figurines are dropped on the ground, and the sound they make when they hit trips the shutter release. The result: razor-sharp images of disturbing beauty—temporary sculptures made visible to the human eye by high-speed photography technology. The porcelain statuette bursting into pieces isn't what really captures the attention; the fascination lies in the genesis of a dynamic figure that replaces the static pose. In contrast to the inertness of the intact kitsch figurines Klimas started out with, the photographs of their destruction possess a powerfully narrative character.

Throughout the course of the long war in Afghanistan, Coalition troops have relied on thousands of military working dogs to help keep them safe, and make their jobs easier. The dogs are trained to detect explosives, to find illegal drugs, to search for missing comrades, or target enemy combatants. Not only are they active on the front lines, but behind the lines they serve as therapy dogs, service dogs, and loyal companions. They also share the same risks as the ground troops, suffering injuries and sometimes death on the battlefields. Gathered here are images of these dogs and their handlers in Afghanistan and back home, from over the past several years, part of the ongoing series here on Afghanistan.

A reveller covered in paint takes part during the annual Cascamorras festival in Guadix, southern Spain September 9, 2015. The festival was inspired by a dispute between the town of Baza and Guadix over the possession of an icon of the Virgin of Piedad. The Cascamorras refers to representatives from Guadix, who were sent to Baza to recover the statue. As the Cascamorras had to stay perfectly clean to gain possession of the statue, Baza residents attempt to make them as “dirty” as possible. (Photo by Marcelo del Pozo/Reuters)

In this Thursday, October 18, 2018 photo, contestants wait for their performance backstage during the National Amateur Body Builders' Association competition in Tel Aviv, Israel. Dozens of glistening competitors took the stage for the annual body building and fitness competition last week. But behind the scenes, machismo makes way for cooperation. (Photo by Oded Balilty/AP Photo)

Riders negotiate a dune as they compete in the Adult Solo race at the HydroGarden Weston Beach Race in Weston- super- Mare, south west England, on October 9, 2016. Beach racing is an offshoot of enduro and motocross racing. Riders on solo motorcycles and quad bikes compete on a course marked out on a beach, with man- made jumps and sand dunes being constructed to make the course tougher. (Photo by Adrian Dennis/AFP Photo)

Mah Chan, a Long Neck Padaung hill tribe woman weaves a scraf for sale to tourists in a small village where 30 familes live July 13, 2006 in Chiang Dao, Thailand. All the Long Neck villages are set up for tourists and just over a year ago the hill tribe members were hand picked to move closer to Chiang Mai from more remote communities so that they could be more accessible. The Padaung women famously wear brass rings around their necks, beginning at five-years-old, to distort the growth of their collarbones and making them look like they have long necks. They are originally from eastern Burma near the Thailand border. (Photo by Paula Bronstein/Getty Images)

A model poses beside a Renault DeZir concept car during the media day of the Shanghai International Automobile Industry Exhibition at Shanghai New International Expo Center on April 20, 2011 in Shanghai, China. The 14th Shanghai International Automobile Industry Exhibition (Auto Shanghai 2011) will be held from April 21 to 28 with the theme of “Innovation For Tomorrow”. About 2,000 carmakers and parts providers from 20 countries are due to showcase 1,100 car models, 75 of which makes their world premieres in the auto show. (Photo by Feng Li/Getty Images)

Figures from Antony Gormley's “Field For The British Isles” adorns an exhibition space in St Helen's College in the town of it's creation 15 years ago, June 23, 2008, St Helens, England. The installation of over 40,000 clay figures has returned to the place where it was made by local people from local clay. Artist Antony Gormley describes his creation as “25 tons of clay energised by fire, sensitised by touch and made conscious by being given eyes ... a field of gazes which looks at the observer making him or her its subject”. (Photo by Christopher Furlong/Getty Images)