An Afghan man is carried out of a hospital after receiving treatment following a suicide truck bomb attack in Kabul, Afghanistan August 7, 2015. The bombings were the first in Kabul since Mullah Akhtar Mansour took charge of the Taliban last week, and followed a rare truck bomb attack in an eastern province on Thursday. (Photo by Omar Sobhani/Reuters)

A car drives through a flooded road following heavy rain in Gaza City on December 27, 2019. (Photo by Mohammed Abed/AFP Photo)

A vendor stands in a flooded flower market following heavy monsoon rains in Mumbai on September 23, 2020. (Photo by Sujit Jaiswal/AFP Photo)

Youths play football in a flooded field following rain in Jantho, Aceh province on November 24, 2025. (Photo by Chaideer Mahyuddin/AFP Photo)

Turks stand in a silent protest in Kugulu Park in Ankara, Turkey, Wednesday, June 19, 2013. After weeks of sometimes-violent confrontation with police, Turkish protesters have found a new form of resistance: standing still and silent. The banner with an image of Turkey's founder Kemal Ataturk reads: “Which crazy person thinks they can put me in chains”. (Photo by Burhan Ozbilic/AP Photoi)

“Show us our butts! Mucawana tribe – Angola. In Soba village, the Muhacaona (Mucawana) tribe, perhaps the best place i have visited. They use cow dung and fat to make this so nice haircut, and love the beads. They asked me to make pictures of their backs... and butts to see on the camera screen if everything was perfect!”. (Photo and comments by Eric Lafforgue)

An artwork entitled “Are you still mad at me?” by John Isaacs is displayed at the Death: A Self-portrait exhibition at the Wellcome Collection on November 14, 2012 in London, England. The exhibition showcases 300 works from a unique collection by Richard Harris, a former antique print dealer from Chicago, devoted to the iconography of death. The display highlights art works, historical artifacts, anatomical illustrations and ephemera from around the world and opens on November 15, 2012 until February 24, 2013. (Photo by Peter Macdiarmid)