These heartwarming images capture the pure happiness of young children playing with a buffalo in the sweltering Indonesian heat on July 28, 2018. The children are all sons of the farmers who work on the rice farms in the West Java region of Indonesia. Amateur photographer Tamlikho Tam, 46 from Depok in West Java Indonesia snapped up the joyful moment because it shows what a typical childhood should be like without technology. (Photo by Tamlikho Tam/South West News Service)

Australian artist Polixeni Papapetrou trends the line between fantasy/theatre, mythology/reality, archetype/play, male/female, child/adult and animal/human. As with all her work the series The Dreamkeepers tells a story that includes her autobiographical relationship with her children, but it also says a lot more about the condition of childhood - its place in our culture and how we react to images of children in photography.

KidZania provides children and their parents a safe, unique, and very realistic educational environment that allows kids between the ages of four to twelve to do what comes naturally to them: role-playing by mimicking traditionally adult activities. As in the real world, children perform “jobs” and are either paid for their work (as a fireman, doctor, police officer, journalist, shopkeeper, etc.) or pay to shop or to be entertained. The indoor theme park is a city built to scale for children, complete with buildings, paved streets, vehicles, a functioning economy, and recognizable destinations in the form of “establishments” sponsored and branded by leading multi-national and local brands.

A robot used to assist Covid-19 patients is seen in an elevator on December 5, 2020 in New Delhi, India. The “Mitra” robot can connect patients with their loved ones, and can assist healthcare workers on the frontlines of the pandemic by minimisng the risk of infections caused by close contact. The Yatharth Hospital, which is treating Covid-19 patients in Noida, on the outskirts of New Delhi, is one of a handful of hospitals in India that has started to use robots. (Photo by Anindito Mukherjee/Getty Images)

A humanoid robot named Kansei, meaning “sensibility” in Japanese, makes a facial expression depicting “happiness”, next to the word “Love” during a demonstration at a laboratory of Meiji University's Robot and Science Institute in Kawasaki, south of Tokyo in this June 4, 2007 file photo. Three-fourths of robot installations over the next decade are expected to be concentrated in four areas: transportation equipment, including the automotive sector; computer and electronic products; electrical equipment and machinery. Labor costs have climbed in countries such as China that have been popular for outsourcing production, while technological advances for robots allow them to be more flexible and perform more tasks. (Photo by Yuriko Nakao/Reuters)

The anthropomorphic robot named hitchBOT sits on the shoulder of Highway 102 to begin its 6000 kilometer cross country journey outside of Halifax, Nova Scotia, July 27, 2014. The hitch hiking robot is part of a social experiment to see if drivers will pick up and drop off the robot in one piece to an art gallery in Victoria, British Columbia. (Photo by Paul Darrow/Reuters)

The face of a graduating student is displayed on a tablet attached to a robot during a “cyber graduation” ceremony at a school on May 22, 2020 in Taguig, Metro Manila, Philippines. Robots represented some 179 graduating students of the Senator Rene Cayetano Science and Technology High School during a graduation ceremony that was streamed online, as mass gatherings remain prohibited in the country under the Philippine government's lockdown to curb the spread of the coronavirus. The robots were developed by alumni of the school's robotics club, which used tablets to display the faces of the graduating students as they “marched” on stage to receive their diplomas. The Philippines' Department of Health has so far reported 13,434 cases of the coronavirus in the country, with at least 846 recorded fatalities. (Photo by Ezra Acayan/Getty Images)

Due to the influence of Sci-Fi movies, many of us have an obsession with giant robots. How cool would it be to ride a gigantic robotic dinosaur or elephant? It would be even cooler to control one! Regretfully, the modern technologies are not yet sophisticated enough to fulfill this dream. Pierre Orefice and François Delarozière, however, came very close. These two artists have made it their goal to turn Nantes, France, into a hot tourist destination spot for people who love robots. In their project of Machines de l'île in Nantes, they have created a whole park of robotic monstrosities, ranging from a giant 3 story high elephant to a 2 meter long centipede crawling on a rail track.