Xiren Wang, Lili Wat, and Sitong Chen join the pageant’s opening routine, dancing to “The Boys”, a song by K-Pop group «Girls’ Generation». While the women come from a range of professional backgrounds – including economics, nursing, and acting – every contestant is looking for her big break into the entertainment industry. Most contestants said they would prefer to have a career in the U.S. but would go wherever the opportunity lies. (Photo and caption by John Brecher/Sahra Vang Nguyen/NBC News)

A pedestrian waits for a bus in front of a “Living Wall” art project, produced in collaboration with The National Portrait Galler and the Earls Court Development Company, in west London on May 26, 2022. (Photo by Adrian Dennis/AFP Photo)

Members of the Australian cabaret & circus troupe Briefs cool down in a fountain on the Southbank in London, Tuesday, July 19, 2022. Britain shattered its record for highest temperature ever registered Tuesday, with a provisional reading of 39.1 degrees Celsius (102.4 degrees Fahrenheit), according to the country's weather office – and the heat was only expected to rise. (Photo by Frank Augstein/AP Photo)

Police and the Russian National Guard (Rosgvardia) servicemen patrol Red Square in front of the Spasskaya tower of the Kremlin in Moscow on October 24, 2022, as part of security reinforcement measures. (Photo by Alexander Nemenov/AFP Photo)

Revelers from Grande Rio Samba School perform during the night of the Carnival parade at the Sambadrome, in Rio de Janeiro, Brazil, on February 12, 2024. (Photo by Tita Barros/Reuters)

“Romain de Tirtoff (23 November 1892 – 21 April 1990) was a Russian-born French artist and designer known by the pseudonym Erté, the French pronunciation of his initials, R.T. He was a diversely talented 20th-century artist and designer who flourished in an array of fields, including fashion, jewellery, graphic arts, costume and set design for film, theatre, and opera, and interior decor”. – Wikipedia. Photo: Romain de Tirtoff (Erte) – “Symphony In Black” (please click to enlarge).

Takeoka Chisaka, Hiroshima, Japan. “One morning in August 1945, I was walking home from the night shift at a factory in Hiroshima. As I reached my door, there was a huge explosion. When I came to, my head was bleeding and I had been blasted 30m away. The atomic bomb had detonated. When I found my mother, her eyes were badly burned. A doctor said they had to come out, but he didn’t have the proper tools so used a knife instead. It was hellish. I became a peace-worker after the war. In the 1960s, at a meeting at the UN, I met one of the people who created the atomic bomb. He apologised”. (Photo and caption by Sasha Maslov)

Do you think that history is a science? Well, not exactly. First, and foremost, history is the state's “legend of wars”, it’s official regalia. Of course, public historians are not interested in scientific truth – quite the opposite. In this respect, any attempt to present a state’s history as altruistic and benevolent as possible is welcomed and encouraged – as opposed to any revisionism attempts that may be more accurate. In this matter, Chinese have surpassed us all – they revised in highly creative manner (but rather shamelessly) the technology already invented by Europeans, a process that resulted in oldest state on the planet. Here is an interesting paradox: ask any sinologist about the Middle Kingdom during second century B.C., and he will describe it to you in such a vivid manner as if he has been living there all his life – but as soon as you will ask him to describe Chinese history in the 19-20th centuries… let's say, his eagerness will be greatly diminished. However, we will discuss China in a different article, and in the meantime we will try to understand how exactly historic “legend of wars” is formed and functions – based on a specific and well-known example. A great example is Ferdinand Magellan's first voyage around the world.