Military policemen take part in an operation at Cidade de Deus favela in Rio de Janeiro, Brazil, on February 01, 2018. (Photo by Mauro Pimentel/AFP Photo)

The Belgian rider Wout van Aert crashes during an ascent on the 11th stage of the Tour de France in Col de Néronne, France on July 10, 2024. (Photo by Anne-Christine Poujoulat/AFP Photo)

A performer from the Imperatriz samba school takes part in the first night of Rio's Carnival at the Sambadrome in Rio de Janeiro on March 4, 2019. (Photo by Carl de Souza/AFP Photo)

A reveller takes part in an annual block party known as “Cordao de Prata Preta”, one of the many carnival parties to take place in the neighbourhoods of Rio de Janeiro, February 6, 2016. (Photo by Pilar Olivares/Reuters)

Alphajet aircraft draw a heart-shaped message in the sky during the 2010 presentation show of the French aerobatics team Patrouille de France, over the French city of Salon-de-Provence. (Photo by Gerard Julien/AFP Photo)

People dressed in period costumes take part in the “Fetes Galantes” fancy dress evening at the “galerie des glaces” in the Chateau de Versailles, France on May 27, 2019. (Photo by Ludovic Marin/AFP Photo)

A member of the Unidos do Viradouro samba school performs during the last night of the Carnival parade at the Marques de Sapucai Sambadrome in Rio de Janeiro, Brazil, on February 13, 2024. (Photo by Pablo Porciuncula/AFP Photo)

While communism, collectivism, worms, dry rot and casual looting failed to destroy the majestic wooden churches of Russia, it may be ordinary neglect that finally does them in. Dwindled now to several hundred remaining examples, these glories of vernacular architecture lie scattered amid the vastness of the world’s largest country. Just over a decade ago, Richard Davies, a British architectural photographer, struck out on a mission to record the fragile and poetic structures. Austerely beautiful and haunting, “Wooden Churches: Traveling in the Russian North” (White Sea Publishing; $132) is the result. Covering thousands of miles, Mr. Davies described how he and the writer Matilda Moreton tracked down the survivors from among the thousands of onion-domed structures built after Prince Vladimir converted to Christianity in 988.