Cambridge policemen, known as “Bulldogs”, lined up for the University Bulldogs Chase, dressed in morning coats and top hats, 7th March 1936. (Photo by H. Allen/Topical Press Agency/Getty Images)

A Ukrainian serviceman walks an empty street in the front line city of Bakhmut, in Donetsk region, Ukraine on February 25, 2023. (Photo by Serhii Nuzhnenko/Radio Free Europe/Radio Liberty)

Visitors dressed as frogs walk along a popular street lined with bars, in Beijing, Friday, May 5, 2023. (Photo by Ng Han Guan/AP Photo)

Ukrainian servicemen of the 28th Separate Mechanised Brigade fires a 122mm mortar towards Russian positions at the front line, near Bakhmut, Donetsk region, Ukraine, Sunday, March 3, 2024. (Photo by Efrem Lukatsky/AP Photo)

The combination of two different drawing styles in one picture never ceases to amaze us. The works of Allison Kunath are a vivid example of this technique. The background of her pictures is drawn using watercolors, while the actual image is broken down into rough geometrical shapes. This creates a very striking contrast, thanks to black, bold lines of the image on the forefront drawn over soft, cloudy shades of color. The skill of Allison is clearly seen in the way she manages to draw something as amorphous as a squid without making any curved lines. (Photo by Allison Kunath)

A man covered with thermal blanket walks along railway tracks beside an improvised refugee camp on the border line between Macedonia and Serbia near the northern Macedonian village of Tabanovce, Thursday, March 10, 2016. Around 1.500 migrants and refugees are stranded at Tabanovce transit center for refugees in northern Macedonia. (Photo by Boris Grdanoski/AP Photo)

A spectator at the Maslenitsa car battle, reacts during a clash, in the village of Goroshki, some 35 kilometers from Minsk, Belarus, 12 March 2016. The battle which is held at the Historical and Cultural Complex, Stalin line, is a small local competition, with participants from Belarus and Russia. (Photo by Tatyana Zenkovich/EPA)

Photographer Joana Choumali’s latest project explores body image and beauty by documenting the men building Abidjan’s clothing models. The “Awoulaba” mannequin is a customised model designed with the African ideal of beauty in mind, curvier than the stick-thin examples usually seen in the west. They first appeared in 2011, and have since become a familiar sight outside the numerous clothing shops dotted throughout Ivory Coast’s capital, Abidjan. Here: An apprentice lines up his work on a roadside. (Photo by Joana Choumali)