Shi'ite fighters launch a rocket during clashes with Islamic State militants on the outskirts of al-Alam March 8, 2015. Thaier Al-Sudani: “It was me and a few other Iraqi journalists working for local outlets. We went to the frontlines in coordination with the Iraqi government forces and supporting militias. The press officer would come in the morning and take us to the frontline in a convoy. Whenever an area was won from Islamic State, the fighters would chant and pray and show victory signs. Most of the areas we were in didn't have residents, so after the battle they would resemble ghost towns; nothing but burnt cars and charred bodies of Islamic State fighters. Al-Alam was an exception as it had some residents who chanted for the government forces after their victory”. (Photo by Thaier Al-Sudani/Reuters)

Italian pencil artist Marco Mazzoni‘s work goes far beyond technical perfection. His representation of historical healing women is enigmatic and sublime. Often leaving the eyes blank or covered with an abundance of birds, butterflies and flowers, he gives the impression of a deeper inward focused sight, as well as obscuring the identity of the individual. Many female healers in the past – both medicine woman and midwives – were brutally persecuted by religion, some even burnt as witches… Mazzoni’s work captures their deep connection with nature and their innate power and femininity with delicacy and beautiful detail.

A Muslim woman wearing a hijab walks past a lingerie advertisement in downtown Vancouver, British Columbia April 26, 2013. (Photo by Andy Clark/Reuters)

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A voodoo priest smokes in the face of a woman as she holds a cup on her head during a voodoo ceremony in honor of Kouzen Zaka, also known as St. Isidro, in Mexico City, May 2, 2015. According to Haitain voodoo, Kouzen Zaka is the patron of work, whose patronage will help with employment and safeguard crops from robbers. (Photo by Edgard Garrido/Reuters)

Italian pencil artist Marco Mazzoni‘s work goes far beyond technical perfection. His representation of historical healing women is enigmatic and sublime. Often leaving the eyes blank or covered with an abundance of birds, butterflies and flowers, he gives the impression of a deeper inward focused sight, as well as obscuring the identity of the individual. Many female healers in the past – both medicine woman and midwives – were brutally persecuted by religion, some even burnt as witches… Mazzoni’s work captures their deep connection with nature and their innate power and femininity with delicacy and beautiful detail.

A woman uses a virtual reality (VR) headset to view images by Mexican painter Frida Kahlo in Mexico City, Mexico, 23 May 2018. The technological giant Google launched the “The Faces of Frida”, an interactive digital exhibition that treasures the heartrending work of the Mexican artist to tell her story from different points of view, with attention to the invisible details. (Photo by Sashenka Gutierrez/EPA/EFE)

Transgender woman Angeles Rojas enters a room at Banco Nación where she works in Buenos Aires, Argentina, Thursday, November 5, 2020. Rojas, 23, joined the most important public bank in Argentina this year as part of the trans labor quota that is part of the public policies in favor of the LGBT community that the South American country has implemented in the last decade. (Photo by Natacha Pisarenko/AP Photo)

Aceh Ulema Council (MPU) member Mukhlis reacts as he is whipped in public by a member of the Sharia police in Banda Aceh on October 31, 2019. An Indonesian man working for an organisation which helped draft strict religious laws ordering adulterers to be flogged was himself publically whipped on October 31 after he was caught having an affair with a married woman. (Photo by Chaideer Mahyuddin/AFP Photo)