Jonny Joo, 23, visits derelict malls, stations, towers and other places because they remind him of Silent Hill – a psychological horror video game which was made into a film. “When I first started exploring places, so many would remind me of the game. It was a world I was kind of obsessed with because of how dark and eerie it looked”, Joo said. His book, titled “Empty Spaces”, will feature 116 images and is being released this week. Photo: A glass-walled corridor at Cleveland's abandoned aquarium in Ohio. (Photo by Jonny Joo/Barcroft Media)

Indian children help to push an auto rickshaw along a flooded street after heavy rain in Jalandhar on June 29, 2017, as the monsoon season begins. (Photo by Shammi Mehra/AFP Photo)

Instructor Raquel Potí leads a stilt walking workshop at the Museum of Modern Art in Rio de Janeiro, Brazil, Saturday, January 27, 2024. Potí is chiefly responsible for the explosion of stilt walking in Rio, having trained more than 1,000 kids and adults over the past decade. (Photo by Silvia Izquierdo/AP Photo)

A boy attends the “Bloco da Lama” (Block of Mud) group during the carnival festivities, in Paraty, Brazil on February 11, 2024. (Photo by Pilar Olivares/Reuters)

Personnel from Maharashtra Home Guards, a volunteer force practice yoga near the Gateway of India monument as they mark International Yoga Day in Mumbai, India, Friday, June 21, 2024. (Photo by Rajanish Kakade/AP Photo)

Palestinian girls struggle as they get donated food at a distribution center in Khan Younis, Gaza Strip, on Friday, December 6, 2024. (Photo by Abdel Kareem Hana/AP Photo)

Camila Hormazabal, a 24-year-old sеx worker, meets with a virtual customer in Concepcion, Chile on April 7, 2020. Hormazabal now offers sеxual services online after the nightclub where she had worked was closed due to the outbreak. With no way to pay her bills, Hormazabal switched to video calls conducted from her high-rise apartment bedroom, and asked her regulars to meet her online. She is one of the thousands of sеx workers worldwide left in a precarious position after the very intimacy that defines their work was thwarted by social distancing measures. (Photo by Juan Gonzalez/Reuters)

A combination photo shows Fata Kovacevic reacting near her flood-damaged house during floods May 20, 2014 (top) and the same place after floods October 8, 2014 in Topcic Polje. (Photo by Dado Ruvic/Reuters)