For France, the trauma of the Algerian War (1954-1962) was not unlike the experience of the Vietnam War for the United States. But, unlike the conflict in Vietnam, few photographic documents exist from that period in Algeria: it is as if the French responded with collective amnesia. Marc Garanger’s Algerian Women is one of the few photographic essays dedicated to that painful period... Photo: A 1960 photograph of an Algerian woman in a French regroupment village. (Photo by Marc Garanger)

Ukrainian refugee circus student Mariia Lysytska stretching in a training room in Budapest, Hungary, Monday, February 13, 2023. More than 100 Ukrainian refugee circus students, between the ages of 5 and 20, found a home with the Capital Circus of Budapest after escaping the embattled cities of Kharkiv and Kyiv amid Russian bombings. (Photo by Denes Erdos/AP Photo)

An Ethiopian refugee who fled Tigray region, stands within the Fashaga camp on the Sudan-Ethiopia border, in Kassala state, Sudan on December 13, 2020. (Photo by Mohamed Nureldin Abdallah/Reuters)

An exhausted Rohingya refugee woman touches the shore after crossing the Bangladesh-Myanmar border by boat through the Bay of Bengal, in Shah Porir Dwip, Bangladesh, September 11, 2017. (Photo by Danish Siddiqui/Reuters)

A family of refugees shelters under a truck carrying plastic lota, kettles used to perform Muslim ablutions in Muna Garage, Maiduguri, Nigeria February 16, 2017. (Photo by Paul Carsten/Reuters)

Children play on a donkey cart belonging to an elderly Afghan refugee sleeping on a roadside on the outskirts of Islamabad, Pakistan, Wednesday, February 18, 2015. (Photo by Muhammed Muheisen/AP Photo)

Children play at a makeshift camp for migrants and refugees at the Greek-Macedonian border near the village of Idomeni, Greece, March 29, 2016. (Photo by Marko Djurica/Reuters)

Artist Jason deCaires Taylor’s Museo Atlantico, off Lanzarote, is peopled with concrete casts of refugees and people taking selfies. Drowned world: welcome to Europe’s first undersea sculpture museum. Here: The Raft of Lampedusa, Taylor’s modern-day concrete echo of Géricault’s The Raft of the Medusa. The work has particular significance given the huge movement of refugees across the sea to Europe – and the frequent fatalities that result. (Photo by Jason deCaires Taylor)